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The Journals of Queen Victoria by Fay Bound Alberti

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In today's blog, I want to discuss a historical source unknown to many people: the journals of Queen Victoria (1819-1901), Queen of the United Kingdom and Ireland, and Empress of India from 1876.

This online resource was completed in 2012 and is now free to access for residents of the UK. It offers fascinating insights into the life of the longest serving British monarch to date, and some fascinating asides from which to reconstruct nineteenth-century society and culture.

http://www.queenvictoriasjournals.org/home.do 

Queen Victoria started writing diaries when she was aged just 13 years old, using a book given to her for the purpose by her mother. "This book, Mamma gave me, that I might write the journal of my journey to Wales in it", she wrote, starting a habit that lasted from 1832 to the monarch's death in 1901. These were not initially the private record we associate with teenager diaries today; her mother inspected the diaries every day, until Victoria became Queen.

The journals detail many aspects of Queen Victoria's life, from her love affair and marriage to Albert (and her devastation when he died) to matters of state, her love for her family, and her relationship with her family, friends and acquaintances.

Thirteen of the volumes in Victoria's own handwriting survive. Many of the remaining volumes were transcribed after her death by her youngest daughter Beatrice, who followed her mother's instructions (and perhaps her own idea of propriety) in removing sections that might prove controversial. Most of the originals from 1840 were then destroyed.


Queen Victoria completing her correspondence with Mohammed Abdul Karim, who served
during the final 14 years of Queen Victoria's reign.
All together there are 131 surviving volumes of Queen Victoria's journals, totalling over 43,000 pages. Until recently this material was only accessible by visiting the Royal Archives. The diary entries appear as scanned copies of Victoria (and Beatrice's) own handwriting, accompanied by typed versions that make reading simple.

Searchable by keyword, the online materials allow detailed study for historians and researchers, and make fascinating reading.

On 28 June 1838, for instance, a young Victoria records her experience of her coronation, a day that was marked by relative economy, just 18 years after the extravagant coronation of George IV. Visitors thronged to London, delivered by the new railway system and around half a million people were said to have gathered to watch proceedings, entertained by a balloon ascent and a firework display in Green Park, and illuminations and a fair in Hyde Park.

The Coronation of Queen Victoria

The event did not go quite as planned - there had been no rehearsals, and the train bearers kept falling over, and there was a lot of uncertainty about who should stand where. The Queen complained that the Bishop of Durham was hopeless and had given her no instructions, nor had the Archbishop 'who (as usual) was so confused and knew nothing' that he put the coronation ring onto the wrong finger.

While the attending crowds were excited by the pomp and ceremony, not all agreed with the money being spent, or the extravagance of the occasion. The writer and economist Harriet Martineau, described the peeresses she saw in Westminster Abbey as 'Old hags, with their dyed or false hair drawn to the top of the head, to allow the putting on of the coronet, had their necks and arms bare and glittering with diamonds, and those necks and arms were so brown and wrinkled as to make one sick'.

Victoria was just 18 years old when crowned Queen and her diaries describe the excitement of the day. She had been woken at 4am by guns in the park and could not sleep because of the 'noise of the people, bands, &c. Got up at 7 feeling strong and well; the Park presented a curious spectacle, crowds of people up to Constitution Hill, soldiers, bands, etc.'

At 9.30am she dressed in her 'House of Lords costume' and soon after got into the State Coach. 'It was a fine day, and the crowds of people exceeded what I have ever seen, many as there were, the day I went to the City, it was nothing - nothing to the multitudes, the millions of my loyal subjects who were assembled in every spot to witness the Procession... I was alarmed at times for her that the people would be crushed and squeezed on account of the tremendous rush and pressure'.

Once in the Abbey, Queen Victoria took notice of the clothes her attendants were wearing and the faces and expressions of the people who attended her. She seemed giddy and excited and touched by the emotional response of her 'excellent Lord Melbourne [who] stood very close to me throughout the whole ceremony'. He had been 'completely overcome ... and very much affected; he gave me such a kind, and I may say, fatherly look. The shouts which were very great, the drums, the trumpets, the firing of the guns, all at the same instant, rendered the spectacle most imposing'.

William Lamb, 2nd Viscount Melbourne was the British whig statesman who served as Home Secretary (1830-1834) and Prime Minister (1834 and 1835-1841). It has been rumoured that Victoria was in love with Melbourne and even proposed to him, but in the diaries her affection for him was protective and fond, more like that of a daughter for a father.

Celebrations continued well into the evening on the day of the Coronation, and Melbourne asked Victoria whether she was bearing up, concerned she might be over-tired. He complained that the Sword of State that he carried was very heavy and Victoria said that her Crown was also heavy and 'hurt [her] a great deal'. She stayed in the drawing room until 11.20pm that evening, talking to Melbourne and others, then remained on a balcony to watch the fireworks in Green Park until midnight.


William Lamb, 2nd Viscount Melbourne
The following morning, Queen Victoria got up at 10.30am and breakfasted at 11.30. Lord Melbourne 'was very far from well... he looked so pale and weak and his poor eyes so suffering.' She expressed concern that the Coronation had been too much for him, as he hadn't gone to bed until 1am. Melbourne assured her that he had prepared himself for a long day with a 'strong dose of brandy and laudanum'.

To find out more about Queen Victoria's relationship with Melbourne, and her experience as monarch, as well as her views on the politics and literature of the day, check out the journals online here. Reading the diaries also allow us access to the language and literary conventions of the day, which are useful to writers of history and fiction alike.

Let me know what you think in the comments. And if you find anything unexpected, do share!


www.fayboundalberti.com

'Village of Secrets', by Caroline Moorhead: Sue Purkiss

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In the summer of 1942, France was divided into two zones: the occupied zone, ruled by the Nazis from Paris, and the unoccupied zone, ruled (purportedly) from Vichy by Marshal Petain.

The Germans had invaded in May 1940, and the Franco-German armistice had been signed on 22 June of that year. In September, the Germans demanded a census of Jews in the occupied zone, and this was swiftly followed by measures against the Jews, defining Jewishness and banning them from certain occupations. Soon after, Jews in Baden and the Palatinate were rounded up, deported to France and interned in camps where conditions were appalling and people soon began to die, of disease, malnutrition and lack of medicines. Some of these camps were in the south, in the unoccupied zone.

On 20 January 1942, the infamous meeting at Wannsee was held, at which Germany committed itself to the Final Solution.

So far, in Vichy France, things were not so bad for the Jews, and particularly not for the French Jews. Surely, they thought, they would be safe - even if the foreign Jews were being targetted. In July, there was a huge roundup of Jews - a rafle - in Paris. 12,884 people were arrested, including children. They were initially held in a sports velodrome without food, water or toilets, then taken to camps such as Drancy from which they were deported, many to Auschwitz.

The French had co-operated with the Germans in the matter of the arrests. But there was widespread revulsion at the arrest of children. In the south, the Catholic Church had been keeping very quiet. But now, some priests became determined to resist.

A number of organisations had been working in a camp in Venissieux, near Lyons, trying to alleviate the dreadful conditions. In August, the first deportations of Jews from the southern zone began. The organisations, together with two Catholic priests, Pere Chaillet and Abbe Glasberg, determined that at least the children must be saved. They knew that they would not be able to save the parents - they had little time and limited resources - and there were terrible scenes as they had to persuade the parents to let their children go, knowing they would probably never see them again.

The children were taken to Lyons. When the authorities heard what had happened, they were furious, but the priests were adamant: 'Vous n'aurez pas les enfants' - you will not have the children. The children were dispersed, into families, villages and isolated communities.

And eventually, most of them ended up in farms and villages high up on the Plateau Vivarais-Lignon. This was a remote, isolated area: in the winter it was bitterly cold, and difficult to get about because of the deep snow.

Because of its remoteness, it had provided a place of safety many years before for Protestants: the proportion of Protestants here was far higher than in the rest of France. Their inclination was to be non-conformist in all sorts of ways, and they did not share the widespread admiration for and loyalty towards Petain. In particular there was a sect called the Darbyists, robust and independent. They believed they had a duty towards refugees and the homeless; and they felt it an honour to provide a refuge for members of God's chosen people - the Jews.

The story of how they did this is told in Caroline Moorhead's book, Village of Secrets. I found this a fascinating account of a story I hadn't heard of till I began to do some background reading background reading for the children's novel I'm writing at the moment. However, it's interesting to note that among the reviews on Amazon there are a number by people who actually lived on the plateau during the war, who are highly critical of some aspects of the book. Perhaps there's another book in how the episode has come to be remembered.

In any case, I'm grateful to Caroline Moorhead - if it hadn't been for her account, I would never have known about this inspirational story.

FROM FICTION TOWARDS FACT: NOTRE DAME DE PARIS by Penny Dolan

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Notre-Dame de Paris - Wikipedia

































What can one post about today? 

There's only one image in my mind: the beautiful  Notre Dame de Paris, wrapped in that gigantic cage of flame, and then the fall of that delicate spire.  

I visited the cathedral of Notre Dame a year or so ago, on a rare weekend away with my daughter, so the image of the cathedral and the Isle de France are mixed up, for me,  with the pleasure of that trip. Like so many, I am feeling real sadness about such destruction and was pleased to hear the President, among others, declaring that the cathedral will be restored to glory.


Notre Dame has known neglected during her life. Begun in 1163 and completed in 1345, the church was damaged during the reign of Louis XIV, when the rood screen was torn down and some of the stained glass windows replaced by plain glass. After that, during the French Revolution, many of the statues were defaced and destroyed. The original spire fell down after a windstorm, the bells taken down and melted and the lead from the roof used to make bullets. Even when, in 1802, Notre Dame was returned to the Catholic Church, the ancient church was left to decay.

However, Victor Hugo stepped forward. He was an architectural preservationist and, in 1825 , wrote an ardent pamphlet in praise of the art of Gothic architecture and promoting the restoration of Notre Dame. Hugo followed this by his great passionate novel, originally titled NOTRE DAME-DE PARIS, set in the fifteenth century and setting the language of ecclesiastical sculpture against the rise of the revolutionary printing press.

Hugo's readers identified with the emotional bond between Quasimodo - a hunchbacked foundling based on the chimerical street  - and the cathedral's over-arching. maternal protection. The novel soon became known as THE HUNCHBACK OF NOTRE DAME.

Hugo writes, of Quasimodo:
His cathedral was sufficient for him. It was peopled with marble figures—kings, saints, bishops—who at least did not burst out laughing in his face, and who gazed upon him only with tranquillity and kindliness. The other statues, those of the monsters and demons, cherished no hatred for him, Quasimodo. He resembled them too much for that. They seemed rather, to be scoffing at other men. The saints were his friends, and blessed him; the monsters were his friends and guarded him. So he held long communion with them. He sometimes passed whole hours crouching before one of these statues, in solitary conversation with it. If any one came, he fled like a lover surprised in his serenade.

And the cathedral was not only society for him, but the universe, and all nature beside. He dreamed of no other hedgerows than the painted windows, always in flower; no other shade than that of the foliage of stone which spread out, loaded with birds, in the tufts of the Saxon capitals; of no other mountains than the colossal towers of the church; of no other ocean than Paris, roaring at their bases.

What he loved above all else in the maternal edifice, that which aroused his soul, and made it open its poor wings, which it kept so miserably folded in its cavern, that which What he loved above all else in the maternal edifice, that which aroused his soul, and made it open its poor wings, which it kept so miserably folded in its cavern, that which sometimes rendered him even happy, was the bells. He loved them, fondled them, talked to them, understood them. From the chime in the spire, over the intersection of the aisles and nave, to the great bell of the front, he cherished a tenderness for them all. The central spire and the two towers were to him as three great cages, whose birds, reared by himself, sang for him alone. “





 Hugo's novel led, in 1841, to a significant period of restoration and right now, there seem to be rumours of the fire springing from underfunded restoration and the State's responsibility for the French cathedrals. 

Yet there seems to be a wish for Notre Dame to be rebulit and restored. In the face of all the other world problems, recreating an ancient church seems almost a kind of folly but there is no doubt that her iconic and spiritual status matters in what had been seen as a secular, European age.

I cannot help wondering if there is any piece of  British architecture which, if caught in such a fiery inferno, would stir such strong emotions? Or, in a period when councils and companies are divesting themselves of bricks and mortar, no matter how venerable, could such a project reap financial support?

Penny Dolan

Reflections on Notre Dame - Celia Rees

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I am following Penny Dolan and posting about Notre Dame. On Monday evening, we all watched in horror as catastrophic and seemingly unstoppable fire tore through Notre Dame. We were one with the people of Paris, watching hands on mouths, faces wet with tears, as the flames rose above the great medieval structure and we woke the next morning not knowing how much of the magnificent building would be left.  

N


By a miracle (I don't use the word lightly) although the roof was gone and the spire fallen, the hundreds of brave firefighters had prevented the fire from consuming the cathedral's main structure and the iconic twin bell towers still stood. 

Although much of the interior was damaged, a human chain had rescued many of the cathedral's irreplaceable treasures. The Crown of Thrones, one of Christendom's most sacred relics, and the tunic of  Louis IX, who brought the relic to France, were saved, along with gilded candlesticks, artworks and many other precious objects. They are now safely stored in Paris City Hall. It is hoped that some, at least, of the wonderful stained glass windows might also have survived. Although it seemed impossible at the height of the blaze on Monday night,  Le Monde reports that although  some of the windows exploded because of the heat, "the large Rose du Midi overlooking the Seine, a masterpiece of the 13th century, seems to have been preserved".


It is too early to know what caused this to happen, even to assess the true extent of the damage, but this dreadful tragedy seems to have brought the French people together. Political squabbles have been forgotten, vestes jaunes protests put aside. Already hundreds of millions of euros have been pledge for the re-building. 


I was reminded of the past destruction of other great churches and cathedrals. St. Nikolai Kirche in Hamburg, destroyed in the firestorm of July, 1943. Marien Kirche in Lübeck, severely damaged in an RAF raid on Palm Sunday, 1942 and Coventry Cathedral left a roofless ruin by the Coventry Blitz.


Marien Kirche. Lübeck: Palm Sunday Raid, 1943


Coventry Cathedral, 15th November, 1940

St. Nikolai Kirche in Hamburg
Marien Kirche, Lübeck

Marien Kirche has been re-built. A new Cathedral stands next to the ruins of the old in Coventry. A new St. Nikolai Kirche was built in the district of Harvestehude; the old church left as a memorial to the immense destruction, loss of life and property caused by the Hamburg firestorm. There are messages of hope here. Even after near complete destruction, re-building and renewal are possible.

After all the photographs and footage of the destruction of Notre Dame, the most powerful image came the morning after as a shaft of sunlight illuminated the cross still standing on the Cathedral's altar. I was reminded of the burnt cross in Coventry, made from two charred beams found crossed on the floor of the cathedral the day after the raid. In this Holy Week, could there be a more potent message of indestructible faith?


Notre Dame, 16th April, 2019




Burnt Cross on the alter of the Old Cathedral, Coventry
Celia Rees

www.celiarees.com

The Curious Roman By L.J. Trafford

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Given that my last two History Girls posts have concerned the very bloody assassinations of Roman emperors, I thought that this month I might tackle a more cheery subject. If only for my Mum who complained that part two of The Terminators was a tad on the gruesome side. I think it was Commodus decapitating ostriches that pushed her over the edge.
So here we are! Something more cheerful: Pliny the Elder's Natural History.

The Natural History is a treasure trove of facts, strange facts and ‘are you sure that’s right, Pliny?’ facts. A book that has given me hours of gleeful delight and probably most of the material for my new book. Frankly any book that has a chapter heading entitled: “About Cabbage” is worth devoting your time to.
I thought in this month's post I would extract all my favourite bits from Pliny and share them with you.

Pliny and Roman Knowledge Gathering 
The author's rather battered copy of Pliny's Natural History


Gaius Plinius Secundas was born in 23AD in northern Italy. Of equestrian class he served in the Roman army in Germany and held the procuratorships of Gallia Narbonensis, Africa, Hispania Tarraconensis and Belgica. We know of seven works that he wrote thanks to the letters of his nephew Pliny the younger, but the only one to survive to modern times is The Natural History.
The Natural History is in essence an encyclopaedia of 1st Century Roman knowledge. A glance over subject headings gives you a clue of the breadth of what Pliny was trying to achieve:
  • The Universe and the World
  • Zoology 
  • Botany 
  • Medicine 
  • Mining and Minerals 
Pliny is unequivocal in his statement that the Earth is a sphere. Of the planets he names Mars, Venus, Mercury Saturn and Jupiter. He states that Saturn is cold and frozen (which it is). That Mars only rotates every two years (which is correct, Mars has a 687 day orbit). That Saturn has a 30 year orbit (which is so nearly right as to be considered right, it has a 29 year orbit). That Jupiter has a 12 year orbit (another one we will let him have. Jupiter has an 11 year orbit). 
Elsewhere he cites Britain as being 800 miles long (sooooo close. It’s 874 miles). He also talks about the weather as being thoroughly divorced from the Gods. In fact Pliny is not at all God minded: “To believe in either an infinite number of deities corresponding to men’s virtues_ plumbs an even greater depth of foolishness”

All this makes it all the more surprising when Pliny comes out with ‘knowledge’ such as this on Indians: “it is known that many inhabitants exceed seven feet in height.”
He sees no reason to doubt the accounts of previous travellers’ tales on this sub-continent: “On many mountains there are men with Dogs’ heads who are covered with wild beast skins; they bark instead of speaking.”
In the mountains of Eastern India, Pliny tells us, there are satyrs (though my translation has a footnote that suggests these might actually be monkeys). Near the source of the Ganges were a tribe who had no mouths and who were all completely covered in hair. Apparently most Indians lived to between 130 and 200 years.

Yes, India is very far away. And no, Pliny had never been there. He’s relying on past sources which, to his credit, he quotes extensively. But it’s worth remembering that trade between India and Rome was fairly busy. Particularly since sailors had discovered how to use the monsoon winds to make sea crossings to India rather than travel the long arduous silk road.
Therefore there must have been traders knocking about the docks in Rome who were current travellers to India and who surely, at a bare minimum, could have sorted out the satyr/monkey confusion. 

Indian/Roman Trade routes

Pliny does use personal first hand information when it comes to India’s neighbour, Sri Lanka (known to the Romans as Tarpobane):
During the principal of Claudius, however more accurate information became available to us when an embassy came from Tarpobane.”

This embassy had come about following the adventures of a certain tax collector’s freedman. Pliny declines to name the freedman, instead naming his master (who did not have the adventures and was not there) as Annius Plocamus. This unfairly anonymous freedman was sailing around the coast of Arabia when his ship was caught in a terrible storm. Hopelessly thrown off course he was shipwrecked on the island of Tarpobane.
Here he somehow managed to ingratiate himself enough with the king for the ruler to offer him hospitality. Stuck for 6 months waiting for the monsoon winds to change direction and thus get him home, this anonymous freedman shows us something of his character by learning to speak the language thoroughly. The charming tongue that had sweet talked his way into a royal residence is clearly in full flow. The Tarpobanian king is so impressed by what the freedman tells him that he is moved to: ‘adopt a friendly attitude to the Romans and sent four envoys to Rome, led by Rachias.’

Rachias is Pliny’s source for his list of facts surrounding Tarpobane. Clearly a better one than the 300 year old Greek accounts that Pliny relies on for other sections. Or is he? For Rachias tells the Romans about the Chinese, whom his father had personally met.
They: “are above average height, have golden coloured hair, blue eyes and harsh voices.” 
Hmmm.


Chapter Headings.
Aside from “On Cabbage” there are so many other great chapter headings that I defy anyone not to read further on. Such as:

The evil eye.
A short but glorious paragraph on the Illyrians amongst who can ‘kill those they stare at for a longer time, especially if it is with a look of anger.’  I’m picturing a Paddington hard stare.

Pliny describes a number of exotic trees. 
Yes, he does. I like something that delivers on what it promises. It’s satisfying.

Pliny gives a brief but entertaining description of apes.
Yes he does give a brief but entertaining description of apes. Best line: they “look like persons who understand they are being congratulated.”

The decay of morality is caused by the produce of the sea.
A political treatise that demands an instant read. It’s the sea sponges, isn’t it? I’ve always harboured suspicions about them. 

A sponge waiting silently to decay your morals. 

Famous wines of antiquity.
Which is followed by:
The physiological effects of wine - much in the manner of a disclaimer.

Mistaken ideas about olive trees.
I wasn’t aware I had any ideas floating about in my brain about olive trees. Yet I felt personally accused by this chapter heading and read on to see where I'd been mistaken in not thinking about olive trees.

Unrelated people sometimes look alike.
Yes, Pliny they do. But I suddenly have an overwhelming need to hear your take on the obvious.

The shortness of active life and the signs of impending death. 
OK. I might skip this one.

Pliny’s People


Amongst these fabulous chapter titles are some great stories relating to named people. Some are very famous, such as Alexander the Great and Julius Caesar. Julius Caesar, Pliny tells us, "used to dictate to his secretaries four letters at once when dealing with important matters, or, if not busy with anything else, seven letters at a time."
If that makes you feel inadequate treat it as a warning against multi tasking. Had Caesar not been writing seven letters at once he might well have noticed that his best mates all loathed him and were plotting his murder. 
The assassination of Julius Caesar, painted by William Holmes Sullivan, c. 1888
{{PD-US}}

Most people in The Natural History you will have never have heard of, and never would have heard of, had Pliny not immortalised them for history. And not always for a reason they would have liked.

  • First up Cornelius Gallus and Titus Hetereius, who Pliny records for all time as two men who died whilst having sexual intercourse with women. I’m presuming Pliny has in his head men who died whilst having sexual intercourse with men, else why distinguish it? Clearly he thought better of recording that, for it is never mentioned and we shall never know who they were. A thing that I never knew would annoy me. But it does.
  • A Praetorian Guard named Vinnius Valens who was able to hold up a cart loaded with wine-skins until the cart was emptied. He could also stop a wagon by grabbing it one hand whilst it’s horses pulled and pulled to go forward. Which is the kind of showing off that clearly indicates he had far too much time on his hands during guard duty.
  • The orator Marcus Corvinus who, in a chapter devoted to feats of memory, Pliny cruelly singles out as a man who could not remember his own name.
  • Marcus Sergius who was wounded 23 times in two campaigns, including a wound that severed his right hand. No matter. He had a replacement hand fitted made of iron and in his next campaign captured twelve enemy camps in Gaul.
  • Marcus Salvius Otho who taught the Emperor Nero to perfume his feet. Not to be outdone on the beauty treatment front, Nero’s wife Poppaea bathed in asses milk to aid with wrinkle reduction. “For this purpose she was always accompanied by a string of asses.” Pliny tells us, unforgivably failing to make a joke about this.
  • Sergius Orata, as well as being the first to introduce oyster farming, made his financial fortune from being the inventor of the “shower-bath, and then from selling country houses fitted with showers.” 


What Pliny likes
Bees. He really like bees. He writes more on bees than any other creature in his section on the animal kingdom. 
Photo by John Severns.
“What sinews or muscles can we compare with enormous efficiency and industry shown by bees? What men in heaven’s name can we set alongside these insects which are superior to men when it comes to reasoning?” 
“Their hygiene is amazing!” he cries.
“They note the idleness of slackers, reprove them and later even punish them with death.
” He repeats with admiration.
“After such considerations let us evaluate their natural intelligence.”
Err alright Pliny we’ll do that, if we must.
And just when you think there is nothing further to learn about bees, here comes another chapter heading: Further Observations about bees.

Conclusion. Pliny likes bees.
We might expect a similar appreciation of ants. After all ants have a similarly industrious life and organisational structure as bees. Ants get no mention. Probably because they don’t make “the sweetest, finest, most health-promoting liquid.” Lazy ants.


What Pliny doesn’t like.
Unnecessary expenditure and luxury. It is of a recurrent annoyance to him. He is annoyed that the extravagant colour purple is now the standard covering for dining-room couches.
He’s furious that, “Men have not been ashamed to adopt silk clothing in summer because of it’s lightness.”
He’s disgusted that people are spending money on perfume: “Perfumes are the most pointless of all luxuries.” He fumes of the story of someone, “with no Imperial connections [who] gave instructions for the walls of his bathroom to be sprinkled with perfume.”
And raving mad that:  “This extravagant behaviour has found it’s way even into our military camps!”
He simply cannot contain himself on the subject of perfumes and I’m afraid begins a sentence with a rather strong expletive. “But heaven’s alive – at the present time some people add perfume to their drinks and consider the bitterness worth it so that their body can enjoy the strong scent inside and out.”

Roman perfume bottle.
The Cesnola Collection, Purchased by subscription, 1874–76
Though actually I’m with Pliny on this one. You what? Drinking perfume? What is wrong with you?

He also holds strong views on drinkers. “Careful investigation reveals that no activity takes up more of a man’s life than wine-making, as if Nature had not given us a perfectly healthy liquid to drink – namely, water – of which all other animals avail themselves!”
Much like the perfume rant above, this seems just a personal dislike of other people’s pleasures. But then it has another kicker of a final line. “We compel even our beasts of burden to drink wine!”
Do we? Or rather who does? Who is inebriating their pet dog or chicken? In the context of a city of animals keeling over in the street, vomiting into shop doorways and generally being a pest, Pliny’s dislike of drinking seems justified.

“Because of wine thousands of crimes have been committed, and drinking occasions so much pleasure that a huge section of mankind knows no other reward in life.” 
There we were thinking of the Romans as industrious, conquering types. When in reality Pliny knows them to be pissed half the time and the other half getting their pets pissed.

Strange but true?
These are all bits I’d file under a miscellaneous of, are you sure that’s right Pliny?

Such as, “That women have changed into men is not a myth.”
Which might elicit an instant shake of your head but Pliny has eye witnesses. He does. And one of those eye witnesses is himself:  “In Africa, I myself saw someone who became a man on his wedding-day.".
A line that for anyone else would be the starting point of one great anecdote. The sort that gets you drinks brought in the pub. Not Pliny though. No, that’s it. No further explanation offered. YOU CAN WRITE 14 CHAPTERS ON BEES BUT.... words fail me

Onions... “When used as a suppository they disperse haemorrhoids.” There is but one question here: sliced or whole onions? This is not something you want to get wrong. 
Photo by Jon Sullivan
*Do not try this at home*

“All other animals derive satisfaction from having mated: man gets almost none.” Which does make you wonder whether Pliny is doing it right.

There’s also this, “Man is the only animal whose first experience of mating is accompanied by regret.”
Now we know that Pliny has clearly spent a lot of time happily watching bees, gathering fourteen chapters worth of material. I can only assume he has dedicated a similar amount of time observing a variety of animals at it in order to reach such a firm conclusion.

Pliny is very clear that Rome is the most perfectly situated city. Particularly because of the climate which is a perfect mix of what is needed. “In the middle earth, because of a healthy mixture of fire and water, there are tracts that are fertile for all things_they are able to comprehend the whole of Nature.” 
And they have governments. Unlike those, “white, frosty skins with flaxen-coloured hair that hangs straight.” who have never had government because ”they are detached and solitary in keeping with the savagery of Nature that oppresses them.”
Which is as good a way of describing Britain as any.


The End
No piece on Pliny the Elder is complete without some mention of how he died, because it is the most well known thing about him. He was killed during the most famous volcanic eruption of all time, that of Vesuvius in 79 AD. How he came to die is so very Pliny. Fascinated by the strange plumes of smoke he witnessed from his villa, he ordered a boat to be launched so he could get nearer and see it for himself:

"He was entirely fearless, describing each new movement and phase of the portent to be noted down exactly as he observed them." 

Pliny the Younger


Cut off in a bay and unable to escape by sea, Pliny overcome by sulphur fumes and smoke, collapsed and died.
Good old Pliny, curious to the end. Let us raise a glass (or water) to him. What a gent.


Further Reading
Read Pliny the Elder's Natural History. Do. I promise you won't regret it. Though your nearest and dearest might, as you repeat your favourite Pliny facts to them every ten minutes.


L.J. Trafford is the author of The Emperors Series of books. Available from all good book retailers and Amazon.







Inspirational homes (2) by Carolyn Hughes

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“Inspirational homes” might suggest a strapline blazoned across the front of a glossy décor magazine. But the sort of inspiration I’m talking about here is where real-life ancient buildings “inspire” me in my descriptions of the homes of the characters in my novels, which are set in 14th century southern England.

Last month, I discussed two buildings, found at the Weald and Downland Open Air Museum in West Sussex, that are my inspiration for the homes of rural peasants. Today, I am going to discuss two houses of somewhat higher standing: one the home of a well-to-do farming family and the other that of a wealthy Southampton merchant.

Both of these wealthier homes have two storeys, with a main “hall” downstairs and a “solar”, a private area for the family, upstairs. Both have additional rooms and, by comparison with the cottages, are really very spacious. Yet such homes would still be draughty and cold underfoot, the hearth might still be in the middle of the floor (though chimneys were beginning to be installed in wealthier homes), and the windows might still be pretty small and were almost certainly unglazed.

The Bayleaf Farmstead, again at the Weald and Downland Museum, is a reconstruction of an early 15th century hall-house, and is typical of “Wealden” houses, common in the Weald of Kent and East Sussex, which were mostly built by prosperous yeoman farmers or well-off craftsmen and tradesmen in towns.

Keith Edkins / Bayleaf wealden house / CC BY-SA 2.0

Bayleaf comes from Chiddingstone, about 10 miles (16 km) north-west of Tunbridge Wells in Kent. The house is timber-framed with a tiled roof, and is constructed with four bays, two of which form the central hall, full height to the rafters. The outer bays are both two-storey, and the upper rooms have “jetties” to the front of the house. To one side of the central hall is what is referred to as the “parlour”, with a solar upstairs. On the other side of the hall are ground floor service rooms, with a large chamber on the first floor.

The main door of the house opens into a cross passage, which separates the central hall from the service rooms, and has a door at its other end leading to the rear of the house.

The central hall is significantly bigger than the two peasants’ cottages I described last month. It is open to the rafters, and has a rather grand double-height – but unglazed – window, with hinged and folding internal shutters, that provides good light for the dining table. Overall the effect is impressive. Nonetheless, this hall does still have a central hearth, shown as a rectangle of bricks more or less in the middle of the floor. Because, I suppose, the room is bigger than the halls in the peasant cottages, the smoke from the fire – which was burning nicely when I visited – did not seem quite so unpleasant. The smoke was rising upwards (rather than billowing), escaping perhaps through the small gabled opening in the roof ridge, although, as I have read elsewhere, it is possible that much of the smoke simply finds its way out through gaps between the roof tiles.

While this central hall is still the main living area, there are other “living rooms” (in contrast to the peasant cottages): the parlour to one side of the hall and the solar above it. The family was not obliged to spend their whole lives in this one room, grand as it is. It would certainly be the dining room, and where the family would receive guests, and where everyday domestic tasks might be carried out. But sleeping would be done elsewhere – probably upstairs – and perhaps family members could escape from each other occasionally to the parlour.

It is thought that initially some cooking may have taken place on the fire in the hall but, by the 16th century, the kitchen, used for brewing and baking as well as cooking meals, would have been in a separate building, for safety’s sake.

The furniture and furnishing in Bayleaf’s hall reflects the relative wealth of the occupants. The wide trestle table is laid with a cloth, the bench and stools are well made. There is a decorated cupboard, with pewter ware displayed, and a solid storage chest. Curtains hang on the walls behind the table, presumably for decoration but also to combat draughts.

On the other side of the cross passage, doors lead into the service rooms: the buttery, used mainly for storing vessels and utensils, and the pantry, used for storing food. A stairway at the back leads up to the chamber above, its original use being unknown, but perhaps used as a bedchamber for servants and/or the older children of the family.

At the other side of the hall, an opening by the high table – closed with a curtain rather than a wooden door – leads to the “parlour”. The downstairs room may have been used for sleeping, storage and work, such as spinning for the lady of the house and accounts for the master. The room upstairs, the “solar”, was probably where the family slept, that is, the master, his wife and their younger children. Older children might have slept in the parlour or perhaps in the service chamber at the other side of the house.

Interestingly, the upstairs solar is shown with its own privy. The museum says that the reconstruction of this privy is conjectural, but it is not unlikely. A small jetty at the back of the room indicates where the privy might have been. Typically, the latrine emptied onto the midden heap or into an open cesspit or a covered conduit. Sometimes such privies were installed in a room referred to as a “garderobe”, essentially a wardrobe, on the principle that the odour of urine kept pests away from valuable clothing. This doesn’t seem to be the case here. However, if the reconstruction is anything to go by, this privy was exceedingly draughty, but perhaps preferable to finding your way outdoors to the privy in the garden!
   
Oast House Archive / Jettied Toilet of Bayleaf House / CC BY-SA 2.0

Oast House Archive / Toilet of Bayleaf House / CC BY-SA 2.0

The furniture in the parlour and solar reflects the rooms’ most likely use, with beds and storage chests. The “best” bed in the solar chamber is a wonderful robust four-poster, with a ceiling (a “tester”) and curtains for privacy and to keep out draughts. The bed in the parlour is of a simpler design without the posts or hangings. The principal bed is shown with a truckle, a bed on wheels that slides underneath the larger bed, often used by the younger children.

Bayleaf is a beautiful house. I often have it in my mind when I’m thinking about the homes of the more well-to-do in my novels.

I also love the late 13th century Mediaeval Merchant’s House in French Street, Southampton, managed by English Heritage. The shape and style of this house sometimes merges with that of Bayleaf in my head when I’m thinking about the homes of my wealthier characters, although this merchant’s house is clearly more of a town house than Bayleaf.

Medieval Merchant's House, Southampton
By Geni - Photo by user:geni, CC BY-SA 4.0

The house was built in about 1290 by John Fortin, a prosperous merchant, and has survived largely intact. The main walls of the house were built of limestone but the overhanging bay at the front of the house is timber-framed. The roof is of Cornish slate.

This house does have some similarities with Bayleaf: it is spacious, has private family rooms and its furniture is well-made and relatively elaborate. But this house also acted as business premises for the owner, for it has a shop at the front and a room at the back that was probably used as an office, as well as an undercroft beneath the house for the storage of the merchant’s goods: barrels of wine! A wooden sign in the shape of a wine barrel hangs from the projecting upper chamber, alerting potential customers to the goods on offer here.

The front door beside the shop front leads into a narrow passage, with a door off it into the shop, and a door ahead leading into the private accommodation. The shop has unglazed windows but also shutters which can be let down to form a shop counter to the street. The shop itself is kitted out as a wine store, but I think that customers probably did not enter the shop, making their purchases from the counter.

Beyond the inner passage door, the passage leads on to an opening to the central hall, which, as with all the other houses, was the main living room, where the family ate and entertained, and carried out their everyday tasks. As with all the houses, the room is open to the rafters. It has relatively large windows, unglazed but protected by shutters. It has a 14th century chimney, although when the house was first built it would have had a central hearth. But wall fireplaces were becoming more common by the mid-14th century, perhaps particularly in towns. Relatively spacious as this room is, one cannot help but wonder at the inconvenience of having a fire in the middle of the floor, especially for the mistress of the house, as she swept past it with her long skirts, never mind the unpleasantness of the smoke! The arrival of chimneys must have seemed a wonderful innovation.

Medieval Merchant's House - HallBy Hchc2009 - Own work, CC BY-SA 3.0

The passage continues on to a private room, probably used by the merchant as his office, which also has a fireplace. It is thought that a door led from this room to an external latrine.

The furniture in the hall consists of a long trestle table, a grand, painted throne-like chair for the master of the house, and a bench for his family. There is an elaborately carved and, surprisingly perhaps, brightly painted, cupboard, together with a couple of storage chests, hangings on the walls and an array of jugs and utensils on display. In the “office” is another table with stools, and yet another decorated cupboard and a chest.

Medieval Merchant's House - "Office"By Hchc2009 - Own work, CC BY-SA 3.0

Rising from the central hall, a substantial staircase takes you upstairs to the solar, where there are two chambers, located either side of the open hall and connected by a gallery that overlooks the hall below. The room at the back of the house is probably the bedchamber for the family, the one at the front for guests and perhaps also used as a day room by the women of the family, where the light from the relatively large window would be good for spinning or sewing.

The back bedchamber is furnished as a place for the whole family to sleep. The beds have testers and curtains, like the principal bed in Bayleaf, there is a very sturdy rocking cradle, a stool and elaborately carved and painted storage chests. There might have been a door leading to the external latrine tower.

Medieval Merchant's House - BedchamberBy Hchc2009 - Own work, CC BY-SA 3.0

So Bayleaf and the merchant’s house in Southampton represent the homes of comparatively wealthy mediaeval people. They afforded a little more privacy for their occupants than the peasant cottages, although children still slept with their parents, or perhaps with servants, so privacy remained limited. These two houses are also much lighter than the peasant cottages, with their larger windows, but the windows were still unglazed and therefore draughty until the shutters were closed, plunging the rooms into gloom. Heating in the merchant’s house, with two fireplaces downstairs, would no doubt have seemed a great improvement over the smoky central hearth of Bayleaf. But there was no heating in any of the upstairs rooms and I assume that all the downstairs rooms would have had floors of beaten earth so I am sure these houses must have been pretty chilly for all their relative sophistication. 

Nonetheless, they surely represented luxury compared to the peasant cottages we saw last month. Next month, I will look at one house that represents the homes of the gentry – a manor house, if a fairly grand one. True luxury, perhaps?

The Elusive Search for Dionysus

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My two great passions are writing and history. Melding them together provides me with an opportunity to escape from the worries of the everyday while venturing into the ancient societies of the Romans, Etruscans and Greeks. The exercise of trying to understand the emotions and plights of my characters is both exacting and rewarding. Sitting at my desk in 21st century Australia, I’m required to delve into the psyches of 4th century BCE women who survived in a masculine culture as the possessions of men, and whose worth was measured in how many warrior sons they could bear.

The novels in my Tales of Ancient Rome saga describe the ten year siege between the early Republican Rome and the Etruscan city of Veii. These cities lay only twelve miles apart, separated by the Tiber River, but their societies were so opposite in their culture and beliefs that you could travel from a world similar to the Dark Ages to somewhere akin to the Renaissance simply by crossing a strip of water. 

Etruscan Banqueting Couple, Tomb of the Shields
In the era in which my books are set, Roman women were restricted to hearth and home in a rigid, insular and self-righteous culture. In comparison, the sophisticated Etruscans (known as the Rasenna) afforded independence, education and sexual freedom to females well beyond the constraints of cloistered Greek women or second class Roman matrons. Learning of such strikingly diverse societies in close proximity gave me the idea of exploring the differences between the pleasure-seeking people of Etruria and those of the austere emergent Rome. And so I created the story of Caecilia, a young Roman ‘treaty bride’, who is wed to an enemy Etruscan nobleman to seal a tenuous truce. At first she struggles with conflicting moralities, determined to remain true to Roman virtues as she lives among the sinful Etruscans. However, both her husband and his society’s freedoms seduce her. When war is declared at the end of the first book, The Wedding Shroud, she must choose between Rome and duty or Veii and love. In the second book, The Golden Dice, she grapples with living as an alien amid her former enemy as she strives to prove her loyalty to her adopted city. In the third book, Call to Juno, Caecilia realises survival depends on seeking her birthplace’s destruction. She also faces the final hurdle of converting to being wholly Etruscan by forsaking her Roman religious beliefs for those of her husband’s people.

The pantheons of the Romans and Etruscans contained equivalent divine counterparts. This did not mean their religions were the same. Roman faith and law were established in custom. There were no holy texts apart from the sacred verses contained in the Sibylline Books. In contrast, the Etruscans developed a sophisticated system of beliefs that were enshrined in a codex known as the Etrusca Disciplina. It consisted of various scriptures which established rules relating to prophecy and the afterlife. Indeed, the Etruscans raised the art of divination to a science, believing that they could defer destiny through observing the rigorous rites of their Book of Fate. They also believed in the concept of the ‘Beyond’ where a deceased’s soul remained intact and would feast with their ancestors. Achieving this salvation was obtained through following a death cult involving human sacrifice. Dionysiac worship, with its concept of rebirth, was also an alternative avenue to eternal life. This was in direct contrast to the early Romans’ belief in the Di Manes or ‘Good Ones’ who were a conglomerate of spirits who existed underground and needed to be appeased to prevent them from rising up en masse to torment the living. In other words, there were no individual souls in the Roman afterlife, or hope of resurrection.

My research into the Etruscans (which extended for over fifteen years) proved extremely challenging. The quandary of an historical novelist who writes about ancient times is the ‘elasticity’ of sources – the further you go back in time the more putative the history becomes. I was at pains to consult academics, archaeologists and historians to try to elicit answers to fill the ‘gaps’ in the evidence. What I ultimately concluded was that Etruscan and early Roman history is subject to considerable supposition from the experts and so offers the possibility for a writer to hypothesize. 

Dancing Greek Maenad 27 BCE
Despite this authorial licence, I was frustrated by the lack of certainty about Etruscan religious practices. I craved an answer as to the true nature of Rasennan worship to enable Caecilia to determine whether she should relinquish her belief in a soulless Roman afterlife or be reborn through orgiastic rites she finds both morally and physically confronting. I was able to obtain secondary sources which explored the Etrusca Disciplina, the death cult, and human sacrifice, but the nature of Dionysiac worship in Etruscan society remained elusive – particularly my quest to determine if the Rasenna believed in the wild Dionysism of the Greeks or instead observed a less intense form of the cult. (Please note that the Roman Bacchus was not yet worshipped during the period in which my novels are set). My problem was compounded by the fact that, although recent archaeological digs are revealing more about the Etruscans, their civilization is often dubbed ‘mysterious’ because none of their literature has survived other than the remnants of ritual texts. Consequently, most of our knowledge comes from accounts recorded by historians many centuries after Etruria’s demise. In effect, the conquerors of Etruria wrote about Etruscan history with all the bigotries of the victor over the vanquished. Some of these records are ‘fragments’ from contemporary travellers to Etruscan cities which were quoted by later ancient historians. These Greek commentators (who came from a society that repressed women) described the licentiousness and opulence of the Etruscans and the wickedness of their wives. One notorious example is Theopompus of Chios, a C4th BCE Greek historian, who expressed his shock at the profligacy of the Etruscans. He wrote, among other scurrilous observations, that his hosts had open intercourse with prostitutes, courtesans, boys, and even wives at their banquets. Furthermore, ‘They make love and disport themselves, occasionally within view of each other, but more often they surround their beds with screens, made of interwoven branches over which they spread their mantles’. The validity of such fragments is often criticized by modern historians because of their authors’ prejudices but the gossip does raise the possibility some Rassena may have, indeed, led flagrant sex lives.

Yet the world view of the Etruscans is not totally opaque. An insight can be gained by decoding their paintings, sculpture, furniture and votive statuettes. Yet the portrayal of the sexes in funerary art poses a further conundrum. Men and women are depicted in loving embraces that extend through a spectrum from tender and modest spousal devotion to erotic, and sometimes, pornographic coupling. So what were Etruscan women like? Faithful or wanton? Or both? Did they indulge in manic sexual worship or was their adoration of the wine god tempered?

Tomb of the Leopards Etruscan Banqueting Scene
If the primary sources were almost non-existent on the Etruscan Dionysus (known as Fufluns), modern secondary sources were just as scarce. The internet provided a tantalising glimpse of an American journal article by Larissa Bonfante, and one Italian essay by Giovanni Colonna. As I live in Australia, it was not possible to access out of print copies from our library system. And so I reached across the ether by adding a comment on Dr Bonfante’s Facebook page without any expectation of a reply. Six months later she contacted me on Academia to say she had uploaded the article to that site. And the eminent Etruscologist, Iefke van Kampen, was kind enough to obtain the Colonna essay for me. Alas, I don’t read Italian but the virtual world once again came to the rescue when I located an enthusiastic student on Upwork to translate it for me.

What was the result of my success in tracking down these obscure sources? Inconclusive. The historians’ analyses were fascinating but not definitive. Funerary art depicting symposium scenes of Etruscan women and men enjoying a world of wine and music are interpreted as evidence that inebriation connects participants to the ‘otherness’ of a divine dimension. Hedonism is therefore linked to the concept of exorcising death in a celebration of a passage to the afterlife. But this more decorous ‘Dionysism without Dionysus’ also sits side by side with Etruscan representations of maenads and satyrs (attendants in the wine god’s retinue) on bronzes, vases and sculptures that hint at more frenzied orphic mysteries reputed to include maenads eating raw flesh (omophagia) and flagellating novitiates.  I learned, however, that because the Dionysiac cult granted equality to women, slaves and foreigners, the Greeks invented a gruesome mythology to discourage this subversion of the social order. Such legends included the ‘Dying God’ driving mothers to tear apart their children and his opponents suffering the most horrendous retribution. This made it absolutely clear to me that there is a difference between mythology and cult which can cloud the truth as to the actual rituals that were followed. The use of the term ‘The Mysteries’ is very apt.

So how did I finally solve my dilemma concerning my character’s internal conflict? Did Caecilia decide to accept that the infidelity involved in communing with Fufluns was a sacred act? Was her desire to attain eternal life greater than her fear of dark, ecstatic worship? I’m afraid the answer will only be given to those who choose to read Call to Juno – A Tale of Ancient Rome.

As for connecting across the ether, I was thrilled when Iefke van Kampen asked to use the dialogue of my characters to voice an audio-visual exhibition of votive statues in her museum. As a result ‘Saga Storrs’ is now on show at the Museo dell’Agro Veientana outside Veio near Rome – a wonderful, passionate collaboration of writing and history.

Elisabeth Storrs is the author of the Tales of Ancient Rome saga. Learn more at www.elisabethstorrs.com  
Images are courtesy of the MET project, Skira Colour Studio and Museo Dell'agro Veientano.



Living Memorials: Sachsenhausen Concentration Camp by Catherine Hokin

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And I know one thing more - that the Europe of the future cannot exist without commemorating all those, regardless of nationality, who were killed at that time with complete contempt and hate... Andrzej Szczypiorski, Prisoner 

The above quote appears on the wall at Sachsenhausen, a
 Sachsenhausen main gate
concentration camp on the outskirts of Berlin whose liberation took place seventy four years ago today, on the 22nd April 1945. I visited the camp a few months ago as part of a research trip. It was, of course, a deeply unsettling experience - like any of these facilities, no matter how much you read before you go, you are not prepared for the emotions they engender.

The first thing that is difficult to comprehend about Sachsenhausen strikes you before you get to it: this is no isolated space tucked away from prying eyes. The camp is situated in the small town of Oranienburg, 22km or less than an hour's train journey from the centre of Berlin. High-ranking officers lived in mansions around the perimeter and a large SS housing estate bordered the camp - local girls married the men who served there and families lived backing onto the walls and within earshot of the camp's brickworks and shooting gallery. Prisoners were marched through the town between the camp and forced labour details and there are accounts of the residents closing their doors and shutters at the sound of marching feet. The Camp Commandant's office was landscaped with trees and a duck pond and the barracks for the guards were surrounded by gardens. It is almost surreal how much part of the local fabric the camp was and how much of a village feel was created for the men who ran it. 

 Plan of the camp showing its triangular shape
Sachsenhausen was established in 1936 and was initially used to imprison "undesirables" during the prettifying of Berlin that formed the background to the 1936 Olympics. Between then and 1945, over 200,000 people were interned there, including Jews, Sinti and Roma, homosexuals, “career criminals” and “antisocials”. By 1944, about 90 % of the internees were non-Germans, primarily citizens of the Soviet Union and Poland. The camp quickly became the model of what the National Socialists believed a concentration camp should be: an expression of absolute power. The barracks' triangular placement, fanning out from the parade ground, means that every aspect was overlooked by a huge machine gun set on top of the gate. If the prisoners faced the other way they were confronted by a gallows and the roll-call area is bordered by a running track where shoes were tested on a variety of materials, including cinders and cracked stones, by men carrying heavy packs of sand on their backs. Few survived this treatment for more than a matter of days. Visitors (including the industrialists who used its forced labour) were offered tours, the SS were trained there and, in 1938, the “Inspection of the Concentration Camps”, the central administrative office for all concentration camps in the territories controlled by Germany, was moved here.

Due to its proximity to Berlin, Sachsenhausen was a key
 Memorial to the dead
forced labour camp. As well as the details in the camp itself, prisoners made up the workforce for the massive Klinkerwerk brickworks on the nearby lock, as well as the munitions factories operated by AEG and Siemens. By 1942, more than 100 satellite details and satellite camps worked out of Sachsenhausen. Tens of thousands of internees died from this forced labour, or from hunger, disease, and the medical experiments which were a feature of the site. In addition many were deliberately murdered, either in a specifically-built  “neck shot unit” (the fate of 13,000 Soviet POWs in 1941) and, from 1943, in a purpose built gas chamber. When asked at his trial why he introduced the mass extermination facility, Commandant Anton Kaindl responded "because it was a more efficient and more humane way to exterminate prisoners." On a busy day with school parties everywhere on site I have never been anywhere so silent as the remains of that chamber.

In 1945, with the war nearing its end, Sachsenhausen,
 Prisoners, Sachsenhausen
along with the rest of the camps, was cleared. In February an SS special unit headed by Otto Moll murdered 3,000 internees who were considered dangerous (which could mean because they had military training) or were declared unfit and another 13,000 were taken to be killed at Mauthausen and Bergen-Belsen. On the 21 April more than 30,000 remaining internees were marched off on Death Marches towards the north-west, the intention, according to Kaindl's trial transcripts, being "to drive them onto barges out to sea and let them sink." The number who died remains unknown. On 22 April 1945, units of the Soviet and Polish armies liberated the 3,000 prisoners left behind due to sickness. 300 of the camp’s former inmates did not survive their liberation and died, and are buried, there.

 Soviet barracks for German prisoners
This, however, was not the end of Sachsenhausen's story. From August 1945, Sachsenhausen became Special Camp No 7: an internment camp for German officers and political prisoners held by the Soviet Union. By 1948, the site, by now renamed Special Camp No.1, was the largest of three special camps in the Soviet Occupation Zone which together held over 60,000 prisoners. Information at the site describes the conditions during this period as inhuman: "Hunger and cold prevailed in the Special Camp. The inadequate hygienic and sanitary conditions and the insufficient nourishment led to disease and epidemics." By 1950 when the camp closed, another 12,500 men were added to the role of Sachsenhausen's dead.

The first memorial at Sachsenhausen was inaugurated in 1961
 The red triangle memorial
by the pre-reunification East German government. In line with their thinking, the main emphasis then was on the role of political resistance. An obelisk was erected in the middle of the site which carries 18 red triangles, to commemorate the 18 nationalities of the political prisoners held there between 1936-45. Post reunification, along with other sites of this nature, the emphasis was on the victims who suffered and died. That two systems remembered Sachsenhausen in different ways caused problems for the site and how it was to be used and there are still visitors today who find the juxtaposition of Soviet and German memorials complicated. It is, I think, to the site's credit that the question of what it exists for is still under scrutiny. The historian Gunther Morsch, a previous director of the Sachsenhausen memorial and museum, has been very vocal about the need to re-examine how we approach these places, particularly in a political climate which is seeing a rise in populism and the right. "We want to keep honoring the victims. And most exhibitions are about their fate. But it has become clear that the emphasis must be shifted to the perpetrators' motives and the structures that enabled these crimes to be committed. More and more visitors were rightly asking, "How could such a thing happen?" and "Is it possible today?" Unfortunately, the second question had to be answered in the affirmative, because "National Socialism actually showed in its most radical form what people are capable of – even today." 

Sachsenhausen does not shy away from exploring the systematic extermination policy of the Nazis and its impact on individuals. The site is full of personal testimony which makes the numbers real and an art exhibition by former inmates which is both heart-breaking and hopeful. It is a brave place to visit - both for what it is trying to tell and what it demands from its visitors. If you go, don't take a tour - they'll whisk you through and serve you a potted version. Get the train from Berlin and walk from the station, it's horribly close. I spent a day there, too much in some ways, not enough in others. I wish I could go back and drag everyone who doesn't get the need for humanity and a united Europe with me. I defy even the toughest nut not to crack.

Beyond Bedlam - by Judith Allnatt

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The word ‘bedlam’ conjures up images of chaos and madness. This is hardly surprising since the word is derived from ‘Bethlem’, after London’s Bethlem hospital, notorious for most of its 600 year history for the harsh treatment of its inmates, including the insane. Hogarth’s image from ‘The Rake’s Progress’ shows the Rake being manacled by two attendants whilst one lady visitor whispers to another behind a fan.



The image neatly demonstrates two major elements of the early treatment of the mentally ill. Firstly, that the emphasis lay with custody rather than cure and secondly that sufferers were dehumanised and treated as ‘freaks’ to be viewed for the frisson of shock, pity or sheer amusement. When the hospital was rebuilt in the 1670s, galleries were constructed partly ‘lest such persons that come to see the said Lunatickes may goe in danger of their Lives’. Physical restraint through the ages included manacles, chains, head collars and strait jackets. Although restraint was said to be used to stop patients tearing their clothes or harming themselves or others, it was also for the convenience of the keepers who performed a role that was more custodial than medical. A regime that commonly included cold baths, purges to induce vomiting and ‘voiding of the bowels’, bleeding and blistering seems as likely to have originated in a desire to cow and exhaust inmates into submission as to treat or cure them.

It was against this background impression of brutality and voyeurism that I began to research the treatment of John Clare’s madness for my novel, The Poet’s Wife. What I discovered was a complete surprise.

 

In 1841, John Clare entered what was then known as ‘Northampton Lunatic Asylum’, where he was to live as a patient until his death in 1864. I was fortunate enough to be able to visit what is now known as St Andrew’s Hospital and to be given a tour by its superintendent. The building was brand new when John Clare was brought there; it is built of white stone in a symmetrical  style and is set in extensive gardens. Clare’s maladies included hallucinations (he is reported to have seen ‘devils in a ceiling’), delusions (he believed he was married both to his real wife and to his childhood sweetheart) and at times a fragmentation of personality (adopting the persona of Admiral Nelson, Byron or Shakespeare). In general, his condition was harmless, although occasionally he would see himself as Jack Randall, a prize fighter of the day, which made him a little pugnacious. Yet, far from being restrained, Clare was allowed to wander down into the town where his favourite spot was a seat in an alcove of All Saints church. Here he would write verses in return for a drink of ale or a twist of tobacco to chew upon.

The superintendant explained that during the nineteenth century a large scale change in the care of the mentally ill occurred, thanks to the work of various reformers who, since the late eighteenth century had been championing a new approach that came to be known as ‘moral treatment’. The Enlightenment had brought a new focus of social welfare and individual rights. Perhaps by treating patients as rational beings who could make choices, interventions could be made that would be therapeutic; perhaps, for some patients, a cure might be possible after all.

A founding father of this approach was William Tuke, a Quaker, who created a small community of 30 patients in York in a quiet country house. Patients were given manual work to perform to provide a sense of purpose. His grandson, Samuel Tuke, wrote a treatise on the method, which involved close supervision by staff who were more nurses than ‘keepers’. Good behaviour was rewarded and patients who behaved badly were distracted or lost privileges.

Latterly, John Clare’s illness worsened and sadly disorderly behaviour led to his freedom to roam in the town being curtailed. John struggled with this. He wrote to his sons warning  them not to visit him in case they were 'captured'. Erroneously believing that the superintendent could ‘see’ for a three mile radius all around, he didn’t attempt to escape as he had from an earlier stay at an asylum in Essex but complained volubly that he lived ‘amongst the Babylonians’ where ‘people’s brains are turned the wrong way round’.

 
By W.W. Law - Bonham's, Public Domain
However, moral treatment offered other freedoms. He was allowed to work as a gardener, a role that would have suited him well as he had a great love of nature and the outdoors. (Close scrutiny of the image of the asylum above, reveals a man trundling a wheelbarrow downhill). 

Even more importantly, both for his wellbeing and for posterity, he was given pen, ink and paper and encouraged to write. We would not have the great body of his poems today if the superintendent had not followed the tenets of moral management and supported him. John Clare wrote perhaps his most famous poem ‘I am’ during his time at the Northampton Asylum – a poem that expresses his feelings of bewilderment and exhaustion with his illness and which cannot fail to touch the heart.

HONOURING WILLIAM MARSHAL by Elizabeth Chadwick

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The face of William Marshal's tomb effigy
Temple Church, London. 
Next month, May 14th marks the 800th anniversary of the death of the great William Marshal, one of the most iconic figures of the Middle Ages.  There are numerous events being held around the country this year to celebrate his life and I have been and shall be attending several of them.

When I came to write about William Marshal, I freely admit that my main interest in him was that he'd led an amazing rags to riches life that was a gift for an author of historical fiction passionate about the Middle Ages. It was only when with a two-book contract under my belt, I settled down to the in depth research that I realised this was more than just a temporary project and that I was researching someone realy rather extraordinary, and a source of study for the rest of my life.

William Marshal rose from modest beginnings to the heights of power as Regent of England. He was a man of great political skill and acumen, and ruthless in the way that anyone has to be ruthless to get to the top, but running alongside that hard, pragmatic streak was compassion and a deep understanding of people.  Beyond and behind the heroism, the great deeds,  the handling of power,  the illustriousness, was a life filled too with ordinary joys and sorrows, laughter, anger, delight in the small things, and an awareness that they mattered just as much as the greater horizons.

When William died, his eldest son commissioned a poet to write his father's life story in a series of rhyming couplets totally 19,215 lines.  It was designed as a commemorative piece to be read aloud on the anniversary of William's death and within and between its lines it gives us a strong idea of the personality of William the man, his life and times.

We don't know William Marshal's date of birth, only that it was probably 1146 and perhaps 1147 and that it was somewhere in Wiltshire or Berkshire at one of his father's estates or castles.  He may have been born at Marlborough where his father was holding the castle for the Empress Matilda, or perhaps Ludgershall, Hamstead Marshal, or even Salisbury.  He was the second son of his father's second marriage.  His father, John FitzGilbert the Marshal had set aside his first wife in order to marry William's mother in the interests of sealing a peace treaty with her brother, his neighbour, Patrick of Salisbury.

When William was about five years old, King Stephen came to besiege the Marshal's castle at Newbury and demanded surrender. William’s father John, said that in order to do that, he would have to ask permission of his overlord, the Empress Matilda for whom he was fighting against the King. Stephen agreed to let him do this, but demanded hostages  to ensure he kept his word.

Little William was turned over to the king as surety for his father's honour. When the appointed day arrived for John Marshal to surrender Newbury Castle, he refused. Instead of sending word to the Empress in the time given to him, he had stuffed the castle to the rafters with men, equipment and supplies. Stephen was angry but probably not surprised, and he sent word to John Marshal that if such was the case, then William’s life was forfeit and he would be hanged.
John gave that now infamous reply.

He said that he did not care
about the child, since he still had
the anvils and hammers
to produce even finer sons

William was duly manhandled to the gallows, but on his way saw the Earl of Arundel holding a very fine javelin and asked to play with it. The King apparently was so struck by William’s charm that he couldn't bring himself to have him hanged. Although William's ordeal wasn't over. He was also threatened with being squashed on a large round shield that was pushed under the castle walls, and being flung from a catapult. Seeing the catapult William said:

‘Gracious me! What a swing!
It will be a good idea for me to have a swing on it.’
He went right up to the sling,
but the King said: ‘take him away! Take him away!
Anyone who could ever allow
him to die in such agony
would certainly have a very cruel heart;
he comes out with such engaging childish remarks.

It is debatable how much of this actually took place in the manner stated as the Histoire is the only source and it may well have been exaggerated as artistic license. A Histoire is both a history and a story - rather like a historical novel. So it's probably best to sit on the fence and enjoy the tale for what it is rather than taking it as the literal truth.

William continued to exert his charm on his royal jailer, at one point playing a game with the king in his tent.

One day he was sitting in his tent,strewn with grasses and flowers in a variety of colours.William looked at the flowers, examining them from top to bottom.Happily and cheerfully he went about gathering the knights growing on the plantain,with its broad pointed leaves.
When he gathered enough to make a good handful,he said the King: ‘My dear Lord,would you like to play knights?’‘Yes.’ He said ‘my little friend.’The child immediately placed some on the King's lap, then he asked:’Who has the first go?’ ‘You, my dear little friend,’ replied the King. So he then took one of the knights,and the King placed his own against it.But it turned out that in the contest the King's knight lost its head which made William overjoyed.’

William survived to return home and grow up. A few years down the line the Histoire tells us that:

William had grown into a tall boy.
His body was so well fashioned
that, even if he had been created by the sculptors chisel,
his limbs would not have been so handsome. Etc etc. The chronicler puts in all the usual stock in trade descriptions of the ideal medieval man. However there are a couple of personal moments here. We are told that he had brown hair and an outdoor swarthy complexion.

In his teens William was sent to train with a family relative William de Tancarville, Chamberlain of Normandy and  ‘as is fitting for a nobleman setting off abroad to win an honourable reputation.’

Once in Normandy William started his training, but at times was a typical teenager. As the mother of two sons I can so identify with some of the habits of a rapidly growing adolescent youth.

People thought is a great pity that he stayed up so little at night and yet slept so late,that he ate and drank too much,and those scoundrels would laugh at him behind his back,asking of one another‘this greedy gorger William,in God's name, what good is he doing here?’ And they asked William de Tancarville his Lord ‘just how are you being served by this troublesome fellow, this devil of a glutton, who's always sleeping when he's not eating? The man is a fool who feeds him.’… The Chamberlain was much displeased with such words but he smiled and kept quiet, and then replied with a few well chosen words: ‘You will see, he'll set the world alight yet… You have no idea of the quality of the man I'm keeping.’

William became a knight at around the age of 21 and was girded by William de Tancarville with a sword and presented with a fine, expensive cloak.   From the start he was very eager to join in the fray and prove his worth. And when the town of Drincourt was attacked by the French and the Chamberlain and his knights came out to defend, William was determined to be at the forefront and had to be told not to be such a hothead. He did as he was told for a while, but then pushed forward again.

 Whatever happened, if there was to be a skirmish or battle,if knights were going to be locked in combat, he would make sure he was up there at the front.

He lost his horse in that battle and had to sell his fine knighting cloak for 22 shillings to buy a new one, although it only bought him a common soldier's mount.  The Histoire observes that It is well-known that poverty has brought dishonour on many a nobleman and been the ruin of them.
So William had to deal with the harsh realities of life. It was all too easy to fall into poverty  if you did not have the support of a patron, or if you did not shift for yourself. I think what happened in his early years had a bearing on how shrewd and clever he was with money in his later years as a great magnate and Regent of England. He knew how to spend it, but he was no spend thrift and he knew how to make it too.

His bacon was saved as a youngster when the Chamberlain wanted to attend a tournament with all his household and provided horses for the young men. William was last in the queue when it came to dishing out the animals and so found himself with a rum beast that no one else wanted.

The horse was brought out, a horse fine and valuable, had it not been for one flaw that was a terrible drawback: the horse was so wild that it could not be tamed. The Marshal mounted it. Not once did he use his elbows; instead he pricked it with his spurs and the horse, flying faster than a hawk, bounded forwards. At the point where it should have been reined in, it turned out that it pulled incredibly hard: never had it had a master able to make it pull less, even if he had had 15 reins to restrain it. The Marshal gave the matter thought and came up with a brilliant scheme: he let out the bridle at least three fingers’ length from the bit and so released the lock of the bit that it went down into its mouth so it had far less to bite on than was usual. For no amount of gold or other riches could he have reined him in any other way. He considered that he had been very clever. The horse was so improved by this new bridle that he could have been ridden around in half an acre of land as if he were the tamest on earth.'


William's horse Blancart, rendered as a herbacious arrangement at Cartmel Priory

William clearly understood horses and was a master of adapting to adversity. He did the best with what he had and sought to turn it to his advantage.

William went on to gain experience in the tournaments and did very well for himself. However, his time with the Chamberlain was over. De Tancarville had enough knights to fulfil his quota and William was basically made redundant. He returned to England and joined the service of his uncle, Patrick Earl of Salisbury who was preparing to go to Poitou as its governor. Once more employed, William headed to the South of France, where, while in his uncle's entourage he came into contact with Eleanor of Aquitaine, and saved her from ambush when she was attacked by members of the rebel de Lusignan family. His uncle was killed in this skirmish in front of William's eyes by being speared through the back. Eleanor managed to escape but William was wounded in the thigh, captured after putting up a tremendous fight and taken for ransom. At the time of the attack Eleanor's escort had not been wearing their armour. Later in life William always stayed close to his armour, and would put it on long before a battle situation arose, and I think it was something that was impressed on him that day in Poitou when they were attacked. This is from later in his life as an example:

The King said: ‘Go on, take that Armour off, Marshal. Why are you armed?’
The Marshal replied: ‘If it's so please you, sire, so much will I say, that I am very happy to be armed and my arms don't cramp my style in the slightest. I shall not remove my armour for the rest of this day until I have discovered what burden we shall have to shoulder. An unarmed man cannot last out in a crisis or a grave situation and we don't know what their intentions will be.’

In gratitude to William, Eleanor paid his ransom and gave him horses, arms and money and took him into her service. Two years later he became the tutor in chivalry to her eldest son, Henry. His father Henry II, had him crowned King in his own lifetime to assure the succession of the throne and William’s star continued to rise as he became established as young Henry's Marshal and one of his senior household Knights.

William remained in the Young King's household as a career knight for more than a decade and in that time entered full manhood. Young Henry although charming and handsome, was not always an easy master to serve. His father refused to relinquish any real power to him or keep him occupied in a a satisfying manner that suited his status. Frustrated, the young man  sought succour from his father in law Louis VII and the French, and asked William, to knight him.

Before the assembled counts and barons, and before other men such high rank, he girded the sword on the King of England and yet he had not one strip of land to his name or anything else, just his chivalry.

Matters were patched up for a while between father and son and William and his young charge took the life of the tourney with a vengeance. Sometimes William went off jousting of his own accord, and on one such occasion which is often mentioned in the biographies he managed to get his head stuck inside his helmet because of all the blows he'd received in the fight. The people of the tournament had adjudged him the man of the match and came to find him to presented with the prize which happened to be a large pike on a platter as in the fish!

They came to the forge, where they saw him with his head on the anvil. It was no laughing matter, far from it, for the smith with his hammers, wrenches and pincers, was going about the task of tearing off his helmet and cutting through the metal strips, which were quite staved in, smashed and battered. The helmet was so tight around his neck that it was freed with great difficulty. Once the helmet was prized of – and it was pulled off with great difficulty – the knights who had come to forge greeted him graciously.

 I am sure that back in the day William was delighted to receive the honour of being champion of the tourney, but my imagination furnishes me with a picture of a red-faced William gasping for fresh air and rather sore around the ears, being faced with a crowd of people bearing a large fish on a plate and it makes me smile.

William certainly seems to have enjoyed his life on the tourney field and to have been ideally suited to it. The Histoire is so joyous at this point and really gives a feel for the sites sounds and smells of the tourney round. Professor Crouch remarked that the tourneys must have had the ambiance of a large Gymkhana! We know the one year between Lent and Whitsuntide William and a companion took 103 knights prisoner. And when one took a knight prisoner on the tourney ground one was entitled to a ransom payment for having done so. It's basically a contact sport for prize-money.

While William was in service to the young King, jealous enemies at court accused him of having an affair with the young King's wife Marguerite. William staunchly denied this, but nevertheless he was banished from court. I don't think for a minute he did have an affair with the young King's wife. The result of the discovery of such a liaison, would not only have brought shame upon the Marshal, but would have cost him his life for it was treason. Given William’s morality compass which was generally one of honour, duty and truth, I personally don't think he would have done this. As it was just the accusation almost cost him his career and he was ousted from court. He took the opportunity to go to Cologne and visits the shrine of the three Kings there, who were particularly responsible for hearing the prayers of he falsely accused. He was offered employment by various magnates throughout Europe, but declined. He only had one Lord, the young King. As it happened young Henry and his father fell out again for various detailed political reasons and William was recalled to serve his master.

This was not a particularly happy time in Williams life. He was now well into his 30s, and perhaps approaching a crossroads. The behaviour appropriate to a younger man, now no longer sat so lightly on his shoulders. His young Lord, had taken to robbing churches and shrines to gain money for his war, including the shrine of our lady of Rocamadour, and although it does not say so in the Histoire, I gain the impression that William was very unhappy with such a state of affairs. Indeed when he founded the Priory at Cartmel, he had a curse written into the foundation charter that was to fall upon anyone who did anything to the detriment of the priory. Although many priories and abbeys have this type of clause written into their foundation charters, I do wonder if William was thinking of Rocamadour when he had this one put in.
Shortly after the young King had robbed the shrine, the dysentry from which he had been suffering, took a turn for the worse and it became obvious that he was going to die. William was with him on his deathbed and the young King had a particular request to make of him.

When it came to the reading of his will, he said this: ‘Marshal, you have ever been loyal to me, a staunch supporter in good faith. I leave you my cross so that on my behalf you can take it to the holy sepulchre and with it pay my debts to God.’ The Marshal replied: ‘sire, I give you my most grateful thanks! Since that is your provision in your will and you have chosen me for this task, I shall certainly do it, for that man is no loyal friend who is found wanting in help in a great moment of need.’

I think this visit to the Holy Land was the moment at the crossroads he had been travelling towards. I think he went there in some sort of spiritual crisis and whatever happened, he came home not exactly a different man, but one who had grown in all areas of his life. The Histoire tells us very little about his time there. Indeed, only circa 20 lines in the 19,000 line poem mention William Marshal's time in Outremer, although there is one very important occurrence that emerges much later in his life. Basically he obtained his own burial shrouds while abroad, and showed them to no one. He also vowed his body to the Templars at his death and made that vow during his pilgrimage.
I have written an article on my own blog about what William may have done in the Holy Land.  You can read it here. What Happens in the Holy Land stay in the Holy Land

William spent from the summer of 1183 to the spring of 1186 on pilgrimage to and from Outremer.
Once home, he took up service with Henry II again, who was pleased to see him and gave him lands  in Cumbria, and the wardship of Heloise, heir of William of Lancaster, Lord of Kendal.

The lady of Lancaster, he gave to the Marshall, and the Marshall did her high honour and kept her from dishonour for a long time, as his dear friend, but he never married her.

William Marshal's famous scarlet lion blazon

William could indeed have married her and made his life in this area as a baron, certainly with the same standing as his father, but he preferred not to. However he did come to spend time in Cumbriaon his return from the holy land, perhaps to recuperate from all the travelling, and to settle himself spiritually.
He seems to have enjoyed travel in different places, and Cumbria was certainly a new experience for him. It was while here that he began his plans to found a Priory on the land that King Henry had given him, although building did not start until after his marriage to Isabelle de Clare.

In 1188, William left Cumbria to go to Henry II who had need of him in Normandy, and it's here that he was promised an even greater heiress and Heloise of Kendal.
The King promised the Marshal in return for his service, the hand of the maiden of Striguil, a worthy, beautiful girl. 
Isabelle de Clare, was heiress to lands in Normandy, in Berkshire, the Welsh borders, Wales and Leinster in Ireland. She was just about of marriageable age and immensely wealthy. Not that it was certain William was going to claim his prize, because Henry was on the back foot. He was fighting both the King of France and his son Richard the Lionheart who was in rebellion against him. It was a vicious, bitter campaign, that saw the burning of Le Mans, Henry's birthplace. Henry himself, sick and distraught, fled the town as Richard entered through the gates. Riding rearguard, William sought to defend his ailing Lord, and showed what he was made of, when it turned out that those pursuing were led by none other than Richard the Lionheart

Like the prudent and wise man he was, he took up his shield and his lance, and spurred straight on to meet the advancing count Richard. When the count saw him coming, he shouted out at the top of his voice: ‘God’s legs, Marshal! Do not kill me, that would be a wicked thing to do, since you find me here completely unarmed.’ The Marshal replied: ‘Indeed I won't. Let the devil kill you! I shall not be the one to do it.’ This said, he struck the count's horse a blow with his lance, and the horse died instantly; it's never took another step forward. It died, and the count fell to the ground. It was a fine below, which came at an opportune moment for those riding ahead.

Henry was seriously ill, and died soon after. His body was born to the Abbey of Fontevraud by his household Knights, and while they were hold vigil there, Richard came to view his father's body, and talk to the men who were with him. The last time he had seen William, had been at the other end of a lance, and the Histoire gives us this conversation between them at the church.

‘Marshal, fair Sir, the other day you intended to kill me, and you would have, without a doubt, if I hadn't deflected your lance with my arm. That would have been a bad day.’
He replied to the count ‘My Lord, it was never my intention to kill you, never did I put my effort into that: I am still strong enough to direct my lance when armed and even more so on that occasion, when I was unarmed; if I had wanted, I could have driven it straight through your body, just as I did with that horse of yours. And I do not consider it a wicked thing for me to have killed it, nor am I sorry for doing so.’

Richard did not bear William a grudge for this. To the contrary he valued his steadfastness and loyalty and to that end, granted him permission to take Isabelle de Clare to wife. William went immediately to London. Isabelle was being kept in the Tower of London because she was such a great prize. William knew that although Richard was King, the situation wass volatile and he made haste to marry her straightaway. It was a political match. As far as we know they had never met. He was in his early forties she was eighteen at the oldest. What they thought on first seeing each other is not recorded, but they seem to have made a strong and affectionate marriage that lasted for 30 years. William set the tone of their marriage from the beginning. It was celebrated in London at the house of his good friend Richard FitzReinier, who provided what was necessary: Being a merchant too, FitzReiner probably had an eye to future profit with a man who had just become extremely rich in right of his wife!

Following the marriage, William and Isabelle took a month off to get to know each other.

 Once that fine, splendid wedding ceremony had taken place, in a manner that was fitting, I know that the Marshal took the lady to stay with Sir Engelram D’Abernon at Stoke, a peaceful spot, well appointed and a delight to the eye.

At this point in his life, William also took a moment to think of his proposed foundation at Cartmel, and sent a colony of Augustinian monks from the mother house at Bradenstoke Priory, to be the founder colony at Cartmel. The first prior of Cartmel was called Daniel and had charge from around 1194 until 1204.

Cartmel Priory 
William and Isabelle were blessed with children almost straightaway. Their first son William was born probably in April 1190 possibly at Longeville in Normandy. Richard, their second child arrived probably about 18 months later, and this set the pattern. William and Isabelle would have 10 children- five boys and five girls because William believed in balance after all. William and Richard came first, then their daughter Mahelt or Matilda, then Gilbert, then Walter, then Isabelle, Sybilla and Eve, followed by Ancel and Joanna. (there is some debate about the timing and order of the middle children). By the time Joanna was born William was around 64 and Isabelle into her 40s. None of the boys were to have legitimate children, but all the girls had sons and daughters whose descendants are scattered round the world.
Chepstow Castle, One of William Marshal's Welsh Border fortresses. Below the doors commissioned by William Marshal in the 1190s at Chepstow.
.

Williams spent the reign of King Richard bringing up his growing family, serving Richard in a military capacity, and also helps to rule the country during Richard’s absence on Crusade. He spent most of his time in Normandy, with short occasional returns to England. When, in 1199, Richard died from an arrow wound sustained at a siege in the Limousin, William was in Rouen and one of the first to receive the news. In fact he was on his way to bed but but ‘he put his boots back on’ and went to consult with Hubert Walter the Archbishop of Canterbury about what to do. The men had a long discussion about whether they should back John to be King, or offer the throne to his teenage nephew Prince Arthur. In the end William Marshal persuaded the Archbishop that they should sign up for John. The Archbishop agreed but with caveats. He supposedly said 'You will never come to regret anything you did as much as what you're doing now.’ ’
In hindsight perhaps William did wish that he hadn’t argued for John, but be that as it may, John was offered the crown, and for his aid in the matter, William was awarded the Earldom of Pembroke and custody of the Castle.


Pembroke Castle

John's reign proved to be a tricky one. John had inherited political difficulties from Richard, not particularly of Richard's doing, but the result of general political pull and push throughout Europe, and it has to be said that John's personality did nothing to mitigate circumstances. The Histoire says "The King's pride and arrogance increased; they so blurred his vision that he could not see reason indeed, I know for a fact that as a result he lost the affection of the barons of the land before he crossed to England." 
John did not have an easy character. His biographer WL Warren says of him that he had the mind of a great King and inclinations of petty tyrant, and as a form of shorthand that statement says it all. He was suspicious of everyone including William. Another suspicion was exacerbated during the fight for Normandy. Seeing the French overrunning Normandy, knowing that his own lands were under threat, William made a pact with the King of France and did him homage for the Norman lands. John not surprisingly took exception to this. William claimed that John had given him permission to give his oath to the French king for his Norman castles. One suspects at that point in his life William was sailing close to the wind. John decided to take one of William sons hostage as security for William’s good behaviour. William gave his eldest son willingly saying that "a man who bandages his finger when it is whole will find it so again when he chooses to take the bandage off."
William dug himself into a deeper hole by seeking permission to go to Ireland and sort out his land there. John had interests in Ireland and didn't want William meddling. However, he told William he could go, but then asked for his second son as a hostage too. Isabelle was very reluctant to give another boy into John's custody, but William was prepared to hand him over because that was the only way he was going to get to Ireland without being adjudged a rebel. So William handed over Richard too. At the same time he arranged a marriage for his eldest daughter Matilda with Hugh Bigod, eldest son of Roger Bigod Earl of Norfolk. This kept Matilda safe in England under the protection of a powerful family, lords of almost half of East Anglia. The marriage was a most suitable one and pleased both families involved,’ The Histoire tells us.

William duly sailed to Ireland with his family all but his hostage sons and his newly married daughter. Once there he set about organising his lands, and founding the town of New Ross on the River Barrow. The family stayed there for the next five years and William’s last two children were to be born in Leinster. King John had been hoping that the demand for the second son would keep William in England. He summoned William back to court to answer to him, along with the Justiciar of Ireland, Meilier Fitzhenry who was William's enemy. Indeed Meilier had instructions that the moment he and William sailed from Ireland, his men were to start making war on William's interests there. The Histoire says of a meeting held before William departed:

'They greatly feared the King’s sending for him was a trick and that he was acting more with a view to harming him than for his good. This view was expressed in the presence of the Countess, who had every fear as regards the King's word. The Marshal knew very well and was very aware that the King had not sent for him for his good and he had no doubt once he had left the land there would be strife and war.'

William made contingency plans, but when his men suggested that he himself should take hostages against the behaviour of men whom he was uncertain, William refused and very strongly and said that their oaths would be sufficient. This is perhaps is a leftover from William himself being taken hostage, and what he felt inside about having to give his sons to John.

William duly sailed to England where King John proceeded to give him the cold shoulder and treat him with suspicion and contempt. He told him a concocted lie about William’s best men having been defeated and killed in battle and Isabelle (who was pregnant at this time) being left alone and without help. William was very surprised at the news because at the time the weather was bad and no ships were sailing between England and Ireland to bring such details to the court. However he said: ‘I can tell you in truth that the death of those knights is a loss. There is nobody here, be here full wise, who does not know, in a word, that they were your own worthy men, and for that reason this business is an even sorrier affair.’
This put John in his place, and later the news arrived that William's men had actually prevailed over the aggressors, although the town of New Ross had been burned to the ground.

John's anger with William lowered to a simmer and he allowed him to return to Ireland, where William set about putting things to right and dealing with men who had risen against him. It was not all over in a day, and John had not finished with William or with Ireland. The King came there himself to deal with rebels, and take a grip on the country and show his authority. William played the game cannily and did all that the King asked. Around him he saw other barons falling because of the King's displeasure, most spectacularly, William de Braose. He too had been asked for hostages. In his case, his wife had refused to give up her sons, saying she would not give them into the presence of a King who had murdered his own nephew. This was a reference to Prince Arthur who have mysteriously vanished while in John's custody Rouen. Few knew what had happened to him – although de Braose may well have been one of them, and so might William who was de Braose’s friend. It's something we will never know.  De Braose ended his life in impoverished exile and his wife and heir were starved to death in one of John's dungeons, a fate that William adroitly managed to avoid for himself and his own family.

door column at the Temple Church

William did manage through diplomacy and sound political decisions to weather the King's displeasure, and settled down with his family in Ireland. However, John summoned him back to England because the political situation was dire. The Pope had excommunicated John over a long-running dispute concerning who should be Archbishop of Canterbury. In some ways it was reminiscent of the Becket crisis of his father's reign, in that the King wanted one thing and the church wanted the other. The barons had taken John's excommunication is a general sign to rise up against him - they had a lot to be discontented about, including the marrying of heiresses to John's favourites, the bad behaviour of his mercenaries, the fact that he was selling justice for a fee to name just a few. William was put in a predicament because once he swore his loyalty, he kept it, but he too had fallen victim to royal caprice and tyranny. When summoned he came, but the Histoire shows us the balance of the man.
He was sorely grieved by the outrages committed by both sides, once he had been informed of them: he had no wish for them, nor did he agree to them. The Histoire also says when the King ran out of resources, very few of the men stayed with him who were there for his money; they went on their way with their booty in hand. However, the Marshal at least, a man of loyal and noble heart, stayed with him in hard and difficult circumstances; he never left him, he never changed that steadfast heart of his, serving him in good faith as his Lord and King… What ever the King had done to him, he never abandoned him for anyone. That absolute loyalty and honour was one of the the underpinning characteristics of William Marshal's personality.

Williams eldest son had joined the rebels. What William thought of this, we don't know. Unless it was a deliberate political move, it must have caused some ructions in the family. The Histoire is silent on the matter. What we do know is that the barons involved in working out the details of Magna Carta, and designated as sureties to see that its terms were carried out, included William Marshal senior and junior, their relatives by marriage William Earl of Salisbury, and Roger and Hugh Bigod, the latter of whom was married toWilliam Marshal's daughter Matilda. William was honour bound to take John’s part in these negotiations, but through family ties he had a foot in each camp.

John died in October 1216, leaving a country in turmoil. There was Civil War, the French had invaded and had control of London, were threatening Dover, and had taken several other important towns. John's eldest son was only nine years old, war had brought the country to the brink of bankruptcy, and there were deep divisions between people would want to be friends and allies. The barons who had stayed loyal to John, including William brought his son the nine-year-old Henry to Gloucester Abbey. The high-ranking men there carried him between them to the Abbey, where the gift of succession was passed on through the anointing and the coronation.’

The matter of who was going to rule the country had to be discussed. There were only two men in the running; William Marshal, and Ranulf Earl of Chester. The latter was known to be a bit prickly, and not everyone was willing to follow him even though he had the ability to lead. In the end the vote went William who was by now around 70 years old. Having been voted into the job of Regent, William retired to his chamber and the enormity hit him.

He called his closest advisers, and then leant against one of the walls... He said to them ‘Give me your help and advice, for by the faith I owe you, I have embarked upon the open sea, where no man, where ever he sails or where ever he sounds the depths, can find bottom of sure, and from which it is a miracle if he reaches port and a safe haven. But may God if it please him, sustain me! I have been entrusted with this task, which is already close to coming to grief, as you know and sense. And the child has no wealth, which is very damaging and a source of grief to me, and I myself am an old man.’ Then his heart became full to overflowing and his eyes began to fill with tears. Tears streamed down his face, and those present there, who loved him and were entirely devoted to him, began to weep out of pity for him. And he, after looking up, said: ‘Have you no more to say than this?’


As it was his former Squire and now fellow baron and companion Jean D’Earley comforted him, and did the equivalent of giving him a stiff drink and encouragement. And William shook himself , squared his shoulders, and went to get on with the task of governing England and putting things right. By various hand to mouth methods, including breaking up the Kings treasure what was left of it, he managed to keep control the troops and maintain the economic functioning of the country. He got people talking to each other even though many barons did not change sides quite yet, but he had opened up avenues of debate and issue pardons and truces. He would fight if he had to, but diplomacy came first.

Fortune then played into his hands. The French army had split up, and one division had gone up to Lincoln to try and take the Castle from its doughty castellan,  Nicola De la Haye. William seized the moment, and swept his army up to Lincoln to take on the French. By this time William's son William  the Younger had returned to the fold, as had the Earl of Salisbury. It seems that with John's death, the matter of rebellion was finished for them. William wanted the enemy to think that his army was larger than it was and be intimidated, so one of the things he did was to have all the noncombatants in the baggage train brandish spears and shields on high, so that as they approached they looked to be massive numbers. The French troops chose to stay behind Lincoln's walls and not come out and fight, so William had his trebuchets batter down a sealed up doorway in the town walls, and brought his army into Lincoln itself. His life has come full circle. As a young knight he had fought his first battle in the streets of Drincourt. Now an old man, his final big engagement was to be in the streets of Lincoln. He was so eager to enter the fray that he forgot to put his helmet on, and had to go back for it. Once it was on his head the Histoire says ‘He appeared more handsome than all the rest. As swiftly as if he were a bird, a sparrowhawk or an eagle,he pricked the horse with his spurs.’ Once again the cry of ‘God is with the Marshal!’ was heard on the battlefield.

Temple Church

The French were utterly defeated at the Battle of Lincoln. William’s own cousin the Count of Perche was leading them and was killed when a sword pierced his brain through the eye- slit of his helm.

The final victory was a sea battle in which William took no part save to watch from the shore at Sandwich, as the French supplies, that would have bolstered the other half of the French army at Dover, were either seized or destroyed by English ships at the Battle of Sandwich. Many ships full of riches were captured, and great lords taken for ransom. William used some of the booty to build a hospital dedicated to St Bartholomew.

Prince Louis who was leading the French troops and who at one time had hoped to be King of England, now sued for peace. Negotiations were opened, and he agreed to leave England, although he had to be paid to go away. Some barons protested at this, but William deemed it a necessary sweetener to diplomacy, and with the French gone, putting the country to rights would go much more smoothly.

William continued with the task of being Regent for another couple of years, and although there were still choppy seas to be negotiated, at least the ship was no longer in danger of sinking. However the effort involved had taken its toll on William. 'Two years from the feast of St Michael, when Louis left the land, and it was no longer than the following Candlemas when the Marshal began to be plagued by an illness and pain which resulted in his death.’


He had physicians come to tend him in London, but there was nothing they could do and he decided to go home to his favourite manner at Caversham near Reading to die. His view was that he could more easily put up with his affliction on his own ground if, in the nature of things, death was to be his lot, he preferred to die at home than elsewhere. So he was put in a boat and rowed upriver to Caversham. Once there he set about making his will and putting his estate in order. He made plans to hand over the country to some of the other people he had been working with, and he sent for the young King Henry, now 11 years old.

When the boy was brought before him, he said ‘I can tell you in truth that I have served you faithfully and to the best of my ability in safeguarding your land, when it was a difficult task to do so, and I would serve you, if I could, if it please God that I had the capacity to do so, but there is no man can plainly see that it does not please him that I should be in this world any longer.’
He also spoke to the boy, warning him against behaving like his father King John. Sire, I beg the Lord our God that, if I ever did anything to please him, but in the end he grant you to grow up to be a worthy man. And if it were the case that you followed in the footsteps of some wicked ancestor, and that your wish was to be like him, then I pray to God the son of Mary, that he does not give you long to live and that you die before it comes to that.’ Despite having served John and his son in full loyalty and to the end of his tether, Williams feelings on the matter come through strongly here.

The matter of the country sorted, Williams turned to his own concerns. He sent his good friend and companion Jean D’Earley on a mission to bring him two lengths of silk cloth that he had stored away in one of his Welsh castles. Jean duly fetched the cloths and brought them back to William’s bedside.
William took them and showed to another of his knights.
'He said to Henry Fitzgerald ‘Henry, look at this fine cloth here!
‘Indeed my Lord, but I can tell you that I find them a little faded, unless my eyesight is blurred.’
The Earl replied ‘Unfold them, so that we might be in a better position to judge.’ And, once the lengths of cloth had been unfolded, they looked very fine and valuable, choice cloths good workmanship. He called for his son and his knights to come before him, and once they had all appeared he said :‘ My Lords! I had these lengths of cloth for 30 years; I had them brought back with me when I returned from the holy land, to be used for the purpose which they will now serve; my intention has always been that they will be draped over my body when I am laid in the earth; that was the destination I had in mind for them.’
‘My Lord,’ said his son’there is one thing we are wondering about which is a closed book to us we cannot tell it what place you wish to be laid to rest.’
‘My dear son.’ He said’I shall tell you, with out a word of a lie: when I was away in the holy land, I gave my body to be buried by the Templars at the time of my death, in whatever place I happened to die. That is my wish, that is where I shall be laid to rest.’

William continued to give detailed orders about what he wanted to happen after he had died. His illness was such that he had time to organise this and make his farewells. As well as having kept his burial shrouds for 30 years, he had been planning more recently for the matter of the end of his life. He had had a Templar cloak made in secret a year before and stored in his wardrobe and now he had it brought out for all to see, because he intended now to take the vows of a Templer knight.

'The Earl, who was generous, gentle and kind towards his wife the countess, said to her; ‘Fair Lady kiss me now, for you will never be able to do it again.’ She stepped forward and kissed him, and both of them wept. The good folk present there also wept out of affection and compassion.’

Even amidst the moments of terrible grief and preparing to leave the world, there were still moments of joy and comfort. One day towards the very end of his illness William declared to Jean D’Earley that he had a sudden desire to sing, but that he would feel foolish doing so. Henry Fitzgerald who was also with him suggested that he send his daughters to sing to comfort him and William agreed. The girls arrived, and William perked up a bit.

Matilda, you be the first to sing,’ he said. She had no wish to do so, for her life at the time was a bitter cup, but she had no wish to disobey her father's command. She started to sing, since she wished to please her father, and she sang exceedingly well, giving a verse of the song in a sweet clear voice.
’Joanna you sing as best you can!’ She sang one verse from a rotrouenge, but timidly.
‘Don’t be bashful when you sing,’ said the Earl, ‘for if you are, you will not perform well and the words will not come across in the right way.’ So the Marshall taught her how to sing the words. Once the song was finished, he said to them ‘My daughters go in the name of Christ, for God protects all who believe in him; I pray to him to grant you his protection.’ As was fitting they took their leave:

Another incident involved the supernatural. William was being attended by Jean D’Earley and said to him. ‘Can you see what I can see?’
‘My Lord, I don't know what we're looking at.’
‘Upon my soul, there are two men in white here, one of them here by me on my right and the other on my left; I never saw more handsome anywhere.’
‘My Lord, the company of Angels has come to you, and if it please God, will come again to be by your side. God has sent his company to you to lead you along the right path.’
The Earl then said:’blessed be the Lord our God, who has given and imparted his grace to me here.’

William died at Caversham on a May morning 800 years ago, with the windows open and his grieving family around his bed.  As per his wishes, he was buried in the Temple Church.
The Histoire says: 'Here ends the story of the Earl's life, and may God grant that his soul rest in eternal glory in the company of his angels! Amen


Elizabeth Chadwick laying a tribute on the Marshal's effigy in 2004. 

But the story doesn't end there, and in a way it was another sort beginning, because William’s memory has lived on down the centuries. His name has become a byword for honour and chivalry, for loyalty, for decency and compassion. He was a great man in his time, and he remains a great one even now, perhaps even more so because there are so many more people in the world than there were in his day, and in reading about him, they can reach out and be inspired by his values. Some may say it's a romanticised view, but I would say that it's shining the light to bring out the best facets in a complex jewel.
 In writing my own novels about his life, I hope I have done him justice. William Marshal. The Greatest Knight, and the finest man.

Thomas Chatterton by Miranda Miller

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    This painting by the pre- raphaelite Henry Wallis created a sensation when it was first exhibited at the Royal Academy in 1856, nearly ninety years after Chatterton’s death, accompanied by the following quotation from Marlowe:

Cut is the branch that might have grown full straight
And burned is Apollo's laurel bough.

   Who was the young man who aroused such powerful feelings? .Chatterton was born in Bristol, the son of a musician, poet, and dabbler in the occult who died just before Thomas was born. He grew up in poverty with his sister and mother, who ran a girls' school and took in sewing. The boy was sent to Colston’s, a Bristol charity school where the curriculum was limited to reading, writing, arithmetic and the catechism.

   Thomas was precocious and was close to his uncle, the sexton at the church of St Mary Redcliffe. Thomas became obsessed with the knights and civic dignitaries on the tombs and the chests full of parchment documents going back to the fifteenth century. He learned to read from the illuminated capitals of an old musical folio and a very old Bible. He wasn’t interested in playing with other children and was even thought to be educationally backward. He only wanted to read and write and by the age of 11 he had become a contributor to the Bristol Journal.

   He used to lock himself in the attic of his mother’s house with old books, parchments and drawing materials; there he lived in his fantasy world with 15th-century heroes and heroines. When he showed one of his fake manuscripts to the usher at his boarding school he claimed it was the work of a 15th-century monk and poet, Thomas Rowley, whose patron had been the great Bristol merchant Canyngs, five times mayor of Bristol, the man who rebuilt St Mary Redcliffe.

   He copied his verses in pseudo-medieval English onto the old parchment he found in his uncle’s church. There are parallels here with Macpherson’s invention of the poet Ossian (see my blog for the History Girls in February 2016). But when Macpherson died in 1796 he was buried in Westminster Abbey near the grave of his harshest critic, Samuel Johnson, despite the controversy surrounding the Ossian poems; Chatterton had a crueller fate.

   When he was sixteen he left his first job, working in a scrivener's office. Unable to earn a living as a poet in Bristol he moved to London, dreaming of becoming rich and famous there. In an attic room at 39 Brooke Street he lived on the verge of starvation. In his lonely attic he wrote political letters, eclogues, lyrics, operas and satires, both in prose and verse. He longed to be able to send money to his struggling mother and sister in Bristol. When his landlady invited him to dinner he assured her that he wasn’t hungry. The editors of the various journals he contributed to paid him at the rate of a shilling an article - and their payment was often late.


Chatterton's Holiday Afternoon engraved by William Ridgway,

   While walking in St Pancras churchyard with a friend Thomas absent mindedly fell into an open grave. His friend helped him up, joking that he was happy in assisting at the resurrection of genius. Chatterton replied, "My dear friend, I have been at war with the grave for some time now."

   Three days later he committed suicide; he drank arsenic after tearing up some of his manuscripts. He was seventeen.

   Well, what could be sadder or more romantic? His short tragic life inspired many other poets: Keats and Shelley identified with him as a misunderstood genius unappreciated in his own lifetime. Keats wrote a sonnet, To Chatterton, and also dedicated Endymion “to the memory of Thomas Chatterton." Coleridge felt a “kindred doom;” Wordsworth (see below) also admired him. and Hazlitt wrote in one of his essays, “He was an instance that a complete genius and a complete rogue can be formed before a man is of age.” Samuel Johnson, who wasn’t easily impressed, wrote of him, “This is the most extraordinary young man that has encountered my knowledge. It is wonderful how the whelp has written such things.”

   Not everyone was so enthusiastic. After Chatterton’s’s death Horace Walpole wrote to a friend, “I cannot find in Chatterton's works anything so extraordinary as the age at which they were written. They have a facility, vigour, and knowledge, which were prodigious in a boy of sixteen, but which would not have been so in a boy of twenty. He did not show extraordinary powers of genius, but extraordinary precocity. Nor do I believe he would have written better, had he lived. He knew this himself, or he would have lived. Great geniuses, like great kings, have too much to think of to kill themselves.”

   The fame that  eluded him when he was alive spread all over Europe. Alfred de Vigny’s three-act play, Chatterton, was  performed in Paris;  Oscar Wilde admired him and lectured on him;  Dante Gabriel Rossetti wrote a sonnet about him:

With Shakspeare's manhood at a boy's wild heart,—

Through Hamlet's doubt to Shakspeare near allied,

And kin to Milton through his Satan's pride,—

At Death's sole door he stooped, and craved a dart;

And to the dear new bower of England's art,—

Even to that shrine Time else had deified,

The unuttered heart that soared against his side,—

Drove the fell point, and smote life's seals apart.

Thy nested home-loves, noble Chatterton;

The angel-trodden stair thy soul could trace

Up Redcliffe's spire; and in the world's armed space

Thy gallant sword-play:—these to many an one

Are sweet for ever; as thy grave unknown

And love-dream of thine unrecorded face.


   More recently, Peter Ackroyd’s 1987 novel, Chatterton, retells his story imaginatively and explores the psychological implications of forgery. In his version, Chatterton's death was accidental.  There’s a collection of "Chattertoniana" in the British Library and a Thomas Chatterton Society. In Redcliffe Churchyard there’s a monument with this inscription: “To the memory of Thomas Chatterton. Reader! judge not. If thou art a Christian, believe that he shall be judged by a Superior Power. To that Power only is he now answerable.” (This was his own epitaph).





A French Corner of Paradise, Carol Drinkwater

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We are less than three weeks away from the publication of THE HOUSE ON THE EDGE OF THE CLIFF. These days are always a little nerve-racking, because I am agitating about the book's future success. Will it live up to expectations in the eyes of the publisher etc. It is a time of interviews, preparing for readings, book-signings and writing short articles for magazines, newspapers. It was for one of these requests - the Irish Times - that I returned this week to the southern location of THE HOUSE ONTHE EDGE OF THE CLIFF, to where the house itself is set.

This time last year I had more or less completed the first draft of the novel but I was still not entirely happy with its location, which I had placed closer to where we live, in some unnamed destination along the Riviera between Nice and Italy. I am one of those writers who use location almost as another character. If the geographical context of the story does not feel right, I am not happy. And so it was with this novel, something was not quite falling into place, until my husband took me on a jaunt to Cassis, to the area known here as Les Calanques. The Creeks. I had visited here before but not since several years and certainly not with a novel in gestation.

It was love at first sight, you might say. I knew almost instantly that I had found the setting for my story and even more so when I began to learn about the neighbourhood. This region is a National Heritage site. For many months of the year it is fairly deserted. The tourists visit in their droves during the summer months. The landscape is very dramatic, even more so when a storm blows in. It boasts the highest maritime cliff in Europe.


Beneath the water's surface are underground caves, cave paintings, dramatic shifts in the level of the sea bed, and it can be very dangerous.

I had all I needed and I set to wok to relocate the location of 'my house on the cliff'. Moving house and characters west along the French Mediterranean coast.

I returned to the 'scene of the crime' one might say this week to remind myself of details for the article I am writing. Michel and I took long walks in the pouring rain and howling winds. Yes, I thought, when the storms come in off the sea this place appears very threatening and when the sun shines it is enticing. It is a paradise where one could hide away from real life, where one could disappear. 


We walked a promontory, to the tip of the presqu'ile, along le sentier Petit Prince all the way to the cap. It was a blowy morning with waves and salt spray crashing hard against the cliffs's edges. Off this coast in July 1944 is where the aviator and much-loved author Antoine de Saint-Exupéry went missing in his plane. He had set off from Corsica to recce the Mediterranean coastline of occupied France. He and his plane went out of contact, never to be found again. He was deemed killed in action. His mysterious disappearance was the cause of much international speculation. It remained an unsolved mystery until 2000 when a scuba diver off the coast of Marseille - close to where we were standing looking out to sea this week - discovered the wreckage of a plane that was later raised and identified as Saint-Exupéry's. The evidence suggests that his plane was shot down but the actual cause of his death remains an unsolved mystery. I hadn't known this story last year when I wrote my novel. A novel in which a man, a charismatic figure, goes missing off this coast close to Cassis.

This week we also discovered the remains of the Sobray Quarry in the Calanque  de Port-Miou, active from 1900 to 1981.
In 2012, this whole area was granted National Park status so any trade that involves the digging up of this protected coastline is forbidden. Still, the scars and traces remain in the rocks and have become a part of its heritage, its history. I wonder might there be a story for me here? Another novel?




If you are a scuba diver Les Calanques will offer you a marine paradise. This mountainous mass of the Marseille Calanques is some twenty metres long. It boasts the highest sea cliffs in Europe. In the past, shepherds grazed their flocks here. Sheepfolds and limestone ovens are to to be found here too, though we didn't come across any.

The flora and fauna here are exceptional and mostly protected.  The Calanques, creeks, play host to a unique ecosystem which is arid and limestone. Plants grow and thrive in almost no soil, jutting out directly from the chinks and cracks of limestone surfaces. The rocks are huge and impressive. Pine trees, sarsaparilla, ferns, junipers scent the air. You might be lucky and spot overhead a Bonelli's eagle. These magnificent creatures are endangered and protected now. Rare too is the eagle owl. The Sabline de Provence grass can only be found here. It exists nowhere else. 

Returning this week, I became excited all over again by the sheer physical beauty of this area, and the natural riches it offers. If you don't know this part of France, I highly recommend it. If you cannot visit, I hope my novel THE HOUSE ON THE EDGE OF THE CLIFF will transport you right here, to this tiny corner of paradise.



May Day by Janie Hampton

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'Bringing in branches at Maytime', from 
A Book of Hours by Jean Poyer, 1500

The first of May has been important in our family ever since my grandmother Rachel Gurney was born on that day in 1886. Two years later, her sister Richenda was also born on 1 May. Both survived into their 80s and enjoyed many shared birthday parties.
For over 30 years I have lived in Oxford, where May Morning has been celebrated since mediaeval times with garlands of greenery,the antics of  mummers, dancing and music.
The new growth of Spring has been celebrated in Europe since ancient times: the Romans celebrated Floralia, the Celts observed Beltane, and Germanic peoples had Walpurgisnacht. The early Christian church incorporated the lively pagan traditions involved in  bringing in the May, but by 1250, the Chancellor of Oxford University felt the need to  forbid ‘alike in churches, all dancing in masks or with disorderly noises, and all processions of men wearing wreaths and garlands made of leaves of trees or flowers or what not.’ However Spring is Spring and not easily repressed, so by 1550 in Thame, the churchwardens had again bought fifteen yards of green and yellow fabric and bells to make coats for their Morris dancers. In Abingdon in 1566, the churchwardens‘paid for setting up Robin Hood’s bower, eighteen pence.’ ‘Church ales’, or festivals, were often used as  fund-raising events. The church financed the amusements and sold the ale. Profits then paid for the maintenance of the parish church, and  alms to the poor.
Philip Stubbes’ Anatomie of Abuses (1583) describes how hundreds of people of all ages ran into the woods on May Eve and made merry all night. At dawn they returned with branches of trees, pulled by twenty or forty yoke of oxen, each with a sweet nose-gay of flowers placed on the tip of his horns. ‘Their chiefest jewel they bring home from thence is their Maypole (this stinking idol rather) which is covered all over with flowers and herbs, bound round about with strings, from the top to the bottom, and sometimes painted with variable colours, following it with great devotion. And thus being reared up with handkerchiefs and flags streaming on the top they straw the ground about, bind green boughs about it, set up summer houses, bowers and arbours hard by it. And then fall they to banquet and feast, to leap and dance about it, as the Heathen people did at the dedication of their Idols.’




File:St. George's Kermis with the Dance around the Maypole by Pieter Brueghel the Younger.jpg
St. George's Kermis with the Dance around the Maypole', detail, 
Pieter Breughel the Younger, 16th century. 
Note 

the drinking bower  on the right  
In 1598 there was a May Day clash between Town and Gown in Oxford when youths, including the mayor's son William Furness, fought the University authorities. Nineteen years later, a group of  young men were found guilty of insulting the Mayor by dressing up on May Day.  William Stevenson an apprentice, Frost the cobbler, Peter Short the cutler, Tilcock the painter and Pigeon the chimney sweep were held in the stocks for two hours the next market day, with paper notices pinned to their hats describing their offences.
King James I was entertained by ‘Suites for morrice dancers all lyke with garters of bells’ on his first Royal Progress to Oxford in 1605. He described Maypoles and Morris dancing as ‘harmless recreation’ in his 1618 Book of Sports.
17th-century woodblock from the ballad sheet 'The May Day Country Mirth'

During Oliver Cromwell’s Protectorate , May revels were shut down everywhere. In Oxford, Anthony Wood reported on May Day in 1648 . ‘ This day the Visitors, Mayor, and the chief officer of the well-affected of the University and City, spent in zealous persecuting of the young people that followed May-Games, by breaking of Garlands, taking away fiddles from Musicians, dispersing Morrice-Dancers, and by not suffering a green bough to be worn in a hat or stuck up at any door, esteeming it a superstition or rather an heathenish custom.’
With the Restoration of the Monarchy in 1660, May Games returned, to widespread public  rejoicing, and Wood reported, ‘the people of Oxon were so violent for Maypoles in opposition to the Puritans that there was numbered 12 Maypoles besides 3 or 4 morrises.’
However, to  Thomas Hall, Flora was a heathen goddess. He wrote in 1660, Funebria florae, the downfall of May-games, that Flora was ‘the whore of the city of Rome, in the county of Babylon’. She attracted a pack of ‘ignorants, atheists, papists, drunkards, swearers, swash-bucklers, maid-marions, morris dancers, maskers, mummers, may-pole stealers, health-drinkers, gamesters, lewd men and light women’.
By the late 17th Century, singing from church towers was widespread in Europe, and Oxford diarist Anthony Wood, recorded in 1695: ‘the choral ministers of this House do, according to an ancient custom, salute Flora every year on the first of May, at four in the morning, with vocal music of several parts. Which having been sometimes well performed, hath given great content to the neighbourhood and auditors underneath’. They then processed to St Bartholomew’s Hospital on Cowley Road, with ‘lords and ladies, garlands, fifes, flutes and drums to salute the great goddess Flora and to attribute her all praise with dancing and music.’ This was only abandoned after too many  clashes between Magdalen men and ‘the rabble of the town’.
Hornblowers accompany the May garland, from Hone's Table Book of 1827. 

During the 18th century, boys in Oxford blew horns early on May morning. In 1724, Thomas Hearne writes: ‘The custom of blowing them prevails at Oxford, to remind people of the pleasantness of that part of the Year, which ought to create Mirth and Gayety.’ ‘Whit-Horns’ were made from strips of willow bark wound into a funnel and fixed with hawthorn or blackthorn spines. The reed was made of bark and the mouthpiece pinched around it to create a primitive oboe. From about 1800, Oxford town boys blew their horns at the foot of Magdalen Tower to drown out the choristers.
May Day outside the parish church Great Tew, Oxfordshire, 1911.
The Victorians forgot about the pagan origins of May Day celebrations as they embraced the myth of Merrie Olde England. Three Victorian men helped legitimise May Day: Alfred Tennyson with his poem The May Queen; William Holman Hunt with his painting May Morning on Magdalen Tower; and John Ruskin who ritualised May celebrations at Whitelands College in Chelsea, a training college for women teachers, who then took these customs out into their schools.
By the early 20th Century when my granny Rachel married a vicar, choosing the May Queen was an important part of the parochial calendar. Once seen as a pagan goddess in human form, she was now chosen not for her beauty, but for her regular attendance at Sunday School!
Grand-daughters and great nieces celebrate Rachel and Richenda's
80th and 78th  birthdays, May 1 1968.  The author is  on the far left. 
The people of Oxford still celebrate May Morning with dancing, singing and revelry all around the city. It starts at 6 a.m. with Magdalen College choir singing the 17th Century Hymnus Eucharisticus from the Great Tower. Church bells then peal out over the city for 20 minutes, and the carousing begins. In Broad Street the Whirly Band  play 'Rough Music'; Sol Sambaperform on Magdalen Bridge; and Oxford's community street band Horns of Plenty in Queen’s Lane. Pubs and cafés are open from dawn.
An alternative May Day was started in 1972 by the sculptor Michael Black (1928-2019). His daughter Chess recalls, ‘Michael built a 30ft high scaffold replica of Magdalen Tower. A full-size plaster ox was decorated with flowers and filled with beer. The Headington Morris men danced outside the Anchor Pub near Aristotle Bridge.Then the dancers came to a slap-up breakfast at Michael's house, cooked by us daughters! Much more drinking and singing followed.’ This year, there will be a wake for Michael Black in the form of more dancing, drinking and singing at dawn.

www.maymorning.co.uk   www.dailyinfo.co.uk/mayday

 www,janiehampton.co.uk
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Beaches and Bombers - by Ruth Downie

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North Devon's 'Pages of the Sea' event, Saunton Sands, 2018
Pages of the Sea was a chain of gatherings on beaches across the UK to commemorate the end of the First World War. This summer we’ll see more events on Saunton Sands: this time to honour the soldiers who trained there for the D-Day landings seventy-five years ago.

All this is distant history for my generation, but to my grandparents the First World War was a living memory. The Second World War was a formative part of my parents’ childhood, and it affected them in ways that were impossible to predict.

In 1939 my father was 12 years old, and living in Ilfracombe, a small town just along the coast from the beach in the photo. Sifting through typescript of his unedited memoirs, I came across his account of the chaotic early days of the war, and the unexpected effect they had on his family’s fortunes:
"The day war was declared… all our plans were thwarted, for the air raid siren sounded shortly afterwards, and remembering Stanley Baldwin’s dictum that 'The bomber will always get through' we made our way down to what was then regarded as the safest place in the house - the coal cellar under the stairs. Remember this was early September; we obviously had not bought in the winter coal supply.

"Father was a Sergeant in the local Special Constabulary and so donned his uniform replete with steel helmet, and went off on duty. Mother prayed with us for his safety, and with gas masks at the ready, we awaited a visit from the mighty Luftwaffe.

"Now, of course, it all seems ridiculous. It transpired that the sirens had sounded everywhere (we were all going to get bombed at the same time!). Ridiculous now, but assuredly not then. The whole nation was on tenterhooks, and the authorities were too. It later turned out that a lone aircraft was detected coming into Croydon airport (or ‘aerodrome’ as they were known then) bringing some French military people to London for a conference. Nerves were taut, and off went the sirens. As for us, in obedience to orders, thereafter we kept a stirrup pump and buckets of sand and water in the hall to deal with incendiary bombs. Thus ended our first experience of the war.
'The little town of Ilfracombe changed almost overnight.'
"The little town of Ilfracombe changed almost overnight. Evacuees poured into town by rail - not only children. Thousands of adults left London and other big cities determined to avoid air raids, and the indiscriminate use of gas. Some had obviously made arrangements with relatives, but most simply packed a few belongings, got on the train, and started knocking on doors when they arrived. My parents took in a lady called Miss T— and a Mr and Mrs B—, also from the capital. They turned out to be a Jewish couple hailing originally I think from Russia.

"The holiday season had not yet ended. The town was already full with visitors. Many expected them to return home immediately war was declared, but very few did. They probably thought that this could be their last holiday for some time, and determined to make the most of it.

"In addition to those who were were evacuated here (many of the children came, not as individuals, but with their school), there also descended on the town an influx of troops. Among the first to arrive was a cavalry unit, equipped now with tanks, yet still, strangely being issued with riding breeches. The tanks, or rather their drivers, found Ilfracombe’s narrow streets difficult to cope with. I remember one turning down into our road from the High Street, and taking a lump out of the kerb in the process.

You'll have to imagine the narrow streets in this blurry pic from 1949.
"The breeches were ghastly. Shapeless, baggy and not at all smart. At this point we will leave the tanks and follow the breeches, for reasons which will become apparent.

"Now that we were at war, my father thought it might be an appropriate time to renew links with his old Regiment. The reason for this was that he could see no future for the business he had started. Stock would be difficult to acquire. The ‘season’ wherein most of the business was done was at the least, uncertain. A return to the Army seemed a much more certain means of employment.
A more certain means of employment? 1916, my grandfather seated in the centre.
 "Accordingly, he wrote to the relevant authorities offering his services if required. He was then aged 44. He was asked to wait a while to see how the situation developed, and this is where the breeches come in.
"As I remarked, the aforesaid breeches were unsightly. Answer? Go to a tailor and ask him to ‘wing’ them. This process made them flare out in the right place (the thigh) and become tighter fitting around the seat and lower leg. The soldiers were delighted with the result; the news spread throughout the unit.

"The town was filling up rapidly with Service personnel, every one of whom wore a uniform, and very few of the uniforms fitted. Almost all needed something sewn on (different Regiments had ‘flashes’ of various colours) and many needed repairing or pressing.

"Thus it was that W.B. Hancock, Tailors and Outfitters, never looked back."
Extract from the unpublished memoirs of Bill Hancock, 1927-2014.
 
 
In later years Dad developed a passion for history and one of the periods that especially interested him was the Second World War. His memoirs bring alive not only the experiences of one family, but also the wider context of the upheaval going on around them at the time. 


Pages of the Sea, 2018

At it’s best, isn’t that what historical fiction does, too? 





Blood on the Stone by Jake Lynch

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Our guest for March is one of our rare "History Boys," Jake Lynch.

Photo credit: The University of Sydney
This is what Jake says of himself:

Jake Lynch is Associate Professor of Peace and Conflict Studies at the University of Sydney, and the author of seven books and over 50 refereed articles and book chapters. Over 20 years, he has pioneered both research and practice in the field of Peace Journalism, for which he was recognised with the 2017 Luxembourg Peace Prize, awarded by the Schengen Peace Foundation. He has held Fellowships at the Universities of Johannesburg, Bristol and Cardiff, where he read English Literature and got a Diploma in Journalism Studies. His PhD was from City University, London. Before taking up an academic post, Jake enjoyed a successful career in journalism, with spells as a Political Correspondent for Sky News at Westminster and the Sydney correspondent for the Independent newspaper, culminating in a role as a presenter (anchor) for BBC World Television News. Jake divides his time between Australia and Oxford, where he performs in amateur dramatic productions and runs a local book group. He is married with a teenaged son.

Website: www.jakelynch.co.uk 

Welcome, Jake! 

From fact to fiction


From Boar’s Hill, the poet Matthew Arnold gazed down on Oxford – a prospect that inspired his poem, Thyrsis, with its famous image of “that sweet city with her dreaming spires.” The land was acquired in the first ever purchase by the Oxford Preservation Trust, to ensure the view could never be built out. The final components of Arnold’s skyline were the Georgian Radcliffe Camera, built to house a collection of scientific books, and Tom Tower, designed by Sir Christopher Wren and erected on the St Aldate’s side of Christ Church College, beginning in 1681.

Its transfer from blueprint to physical shape was, therefore, in the planning stage when King Charles II brought the English Parliament to Oxford, earlier in that same year. By then, however, the city’s masons were running short of the limestone whose distinctive pallor imparts the “fugitive and gracious light” celebrated in Arnold’s verse. Headington quarry was all but worked out. Intrigues over building material were a notorious source of local disputes. And they take an imaginative turn to enter the plot of Blood on the Stone, my fiction debut: an historical mystery thriller just published by Unbound Books.

The hero is Luke Sandys, Chief Officer of the Oxford Bailiffs, and the nearest equivalent in the period to a modern-day detective. At the behest of Bishop John Fell, the Dean of Christ Church who commissioned Wren’s Gothic masterpiece, Luke and his deputy, Robshaw, agree to escort a gang of workmen to the ruins of Osney Abbey. From there, Fell hopes to recycle stone from the old walls and cloisters. Their visit is interrupted by Robshaw’s encounter with a ghost. So he believes, anyway – but, as he is suffering a bout of marsh fever at the time, Luke is sceptical.

To choose Oxford as the setting for a novel is to enjoy opportunities for lyrical description – and for on-foot research in areas of the city that have scarcely changed in many centuries. Looking down from horseback on the way across Osney Meadow, Luke notices the snake’s heads, Oxford’s signature flowers, “turning their gorgeously purpled gaze demurely downwards.” The blooms can still be seen today, at this time of year (the picture is from the Thames at Iffley).
In another passage, I try my hand at emulating the many writers who have adapted Arnold’s image and made it their own. From the opening of Chapter One: “It had been one of those Oxford mornings when mist seems to percolate from domes and spires, as if they had been dreamed into existence overnight, and were about to fade away.” I snapped the Bodleian library, with the Sheldonian theatre behind it, in conditions of typical honey-tinged haze.
The Oxford novelist also takes on significant pressures of reader expectation. Never mind Victorian poets – there are plenty more recent literary giants on whose shoulders one is aware of standing. The best-known tradition is, of course, high fantasy – with the outstanding Philip Pullman picking up where the ‘Inklings’, Tolkien and CS Lewis, left off. Then, undergraduate days have inspired such classics as Gaudy Night and Brideshead Revisited. Following Colin Dexter’s Inspector Morse novels is a rich array of gritty, modern-day detective stories. Oddly, though, for a place so steeped in its own sense of history, there are relatively few historical novels: Iain Pears’ clever An Instance of the Fingerpost being an exception that proves the rule.

At any rate, the deep reservoir of local knowledge among the city’s inhabitants underscores the duty to accuracy. There would be no shortage of readers to correct the erring writer! One may take the occasional liberty with the historical record, but only insofar as the ‘feel’ is right. “The past is not dead ground”, Hilary Mantel observed, in a BBC Reith Lecture some years ago; “and to traverse it is not a sterile exercise… the past changes every time we retell it.” The political tensions building as MPs gathered in Oxford in 1681 were real enough, even though my murder victim, William Harbord MP – leader of an extremist group agitating for a ‘crackdown’ on Catholics – quit the city, in real life, with body and soul still together.

John Radcliffe, whose bequest funded the Camera, only actually qualified as a doctor a year after the events of Blood on the Stone, but to have him treating patients, and for that to play a part in the plot, was irresistible – especially given his enduring renown in Oxford, where the local hospital is also named after him. And I don’t actually know whether stone from Osney Abbey ended up in Tom Tower, but it must have gone somewhere: the ruins shrank from the still-substantial structure of the seventeenth century, depicted on the book’s cover, to the single surviving wall of today.

I only just pulled back from the brink of committing some potentially embarrassing mistakes to print. These included anachronistic words. Seeking a metaphor to convey the dangerous qualities, at the time, of non-conformist religious ideas, I described a book on Luke’s office shelf as “theological cordite” – only to realise, just in time, that cordite was not invented until the nineteenth century. There were a few like that. And my blessed editor at Unbound spotted that I was sending the King to watch a performance, at the Sheldonian Theatre, of Christopher Marlowe’s bloodthirsty Tamburlaine the Great: a production so incendiary that it would never pass the censor. In actuality, the court was treated to a bowdlerised version, Tamerlane the Great, by the justly-forgotten Charles Saunders, instead.

In Blood on the Stone, Luke and Robshaw must solve Harbord’s murder before it can be used to ratchet up the sectarian fury of the mob. They must rely on evidence, logical deduction and due process. For those to be set against the bombast of powerful interests, fomenting and exploiting divisions for political gain, is a pattern of many historical detective novels – and, perhaps, one that is of enduring importance in other contexts, in our own time as well.






April Competition

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To win a copy of Jake Lynch's Blood on the Stone (see yesterday's guest post) just answer the following question in Comments:

“What howlers, anachronisms such as the ones Jake avoided, have you found in a published book?”
Then email your answer to me at maryhoffman@maryhoffman.co.uk so I can get in touch with you in you win.

Closing date 7th May

We are sorry our competitions are open only to UK Followers


Shakespeare's Dark Lady by Mary Hoffman

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"My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare."

This was probably the first "Dark Lady" sonnet you ever read or heard of and it is well used in the play Emilia,* currently showing at the Vaudeville theatre in London's West End and written by Morgan Lloyd Malcolm. She takes the facts known about Emilia Bassano, or Lanier (or Amelia, Aemilia, Lanyer and many variations thereof) and "fills in the gaps."

The play is a triumph of positivity about women finding and using their voices in the past and now and brings audiences to their feet at every performance.

Emilia Bassano is just one of the many candidates proposed to have been Shakespeare's Dark Lady, to whom a couple of dozen of his sonnets are written. Here are some of the others:

Mary Fitton (Thomas Taylor 1890, Bernard Shaw 1909)

Mary Fitton

1578-1647, a maid of honour to Queen Elizabeth the First, Mary Fitton certainly had an eventful sex life, giving birth to the illegitimate son of William Herbert, Earl of Pembroke and three other illegitimate children before marrying the father of the last, a son. In the late 19th and early twentieth century Mary was a top choice as Dark Lady, since Herbert was prime candidate for "Mr W. H." the dedicatee of the sonnets.

The theory was scuppered, according to Stanley Wells and Paul Edmondson in their book Shakespeare's Sonnets (2004): "her star waned when she was discovered to have been fair." I don't know, she doesn't look very fair in her portrait above, painted in about 1595.

George Bernard Shaw wrote a play called The Dark Lady of Shakespeare's Sonnets, with Mary Fitton as the woman in question. However, there is no evidence that Mary Fitton knew Shakespeare.

Jane Davenant
Jane was the wife of an Oxford innkeeper, at whose inn, the Crown, Shakespeare sometimes stayed en route between London and Stratford. There was a rumour that Shakespeare stood as godfather to Jane's son, William. And more than a rumour - a claim made by the man himself - that William was in fact Shakespeare's son, born in 1606. The claim was also made by Arthur Acheson in his book Mistress Davenant:the Dark Lady of Shakespeare's Sonnets (1913). And it is true that the Earl of Southampton had also stayed at the same inn and would have met Jane.

Lucy Morgan (G B Harrison, Duncan Salkeld)

In Shakespeare among the Courtesans (Ashgate 2012), Salkeld returns to the theories of G B Harrison in his book Shakespeare at Work (Routledge 1933) that the Dark Lady was a Clerkenwell prostitute also known as Black Luce or Lucy Negra. He bases this on a connection he has found to Philip Henslowe of Gilbert East, who was an associate of Lucy Negra's.

Aline Florio (Jonathan Bate, Dr Aubrey Burl)
Jonathan Bate in The Genius of Shakespeare (Picador 1997) plumps for the wife of John Florio, who he declares to be nameless. Since so many writers since have produced the forename Aline, I have used it here. It's certainly true that Shakespeare knew Florio. And that Florio was Southampton's language tutor, so a part of his household.

In Shakespeare's Mistress: The Mystery of the Dark Lady Revealed (Amberley 2012), the archaeologist Aubrey Burl reviews the usual suspects and he too goes with "Mrs Florio."

Earl of Southampton himself (S. C. Campbell)
This one is right out of left field but Campbell, in her otherwise excellent book, Only Begotten Sonnets (Bell & Hyman 1978), suggests that the Dark Lady was just another aspect of the young man Shakespeare wrote the sonnets for. - his shadow self. Take a look at the poem this post started with, above, and see if you think this theory has legs, let alone breasts.

Earl of Southampton dressed as a woman

But to return to Emilia Bassano, her role was championed by A. L. Rowse in 1973 in his book Shakespeare the Man (HarperCollins) but with very little evidence.
?Emilia Bassano by Nicholas Hilliard
The known facts are few: Emilia was born in 1569, the daughter of Baptista Bassano, a Venetian court musician, and Margaret Johnson. Her father died when she was seven and, when she was eighteen, Emilia became the mistress of Henry Carey, Baron Hunsdon, who was Lord Chamberlain to Elizabeth l.

Now this Henry Cary was certainly the son of Mary Boleyn and possibly even the son of Henry Vlll, who had an affair will Mary before his interest passed to her sister Anne. So Henry was at least first cousin and maybe half brother to Queen Elizabeth.

Henry Cary, 1st Baron Hunsdon
He was much older than his half-Italian mistress and he did not offer to marry her. Emilia was instead married off to her cousin, Alfonso Lanier, another court musician. The marriage does not seem to have been a happy one but Lanier brought the child up as his own son. A second child, a daughter, Odillya, was born five years later, after Carey's death, but died before the end of her first year.

Shakespeare's Sonnets were first published in 1609 and Emilia's volume, Salve Deus, Rex Judaeorum was entered into the Stationer's Register the next year. It was published in 1611, Alfonso died in 1613 and Shakespeare in 1616. Emilia's son Henry Lanier died in 1633 but Emilia lived on to 1645.

From these bare bones, Lloyd Malcolm has created a drama in which her heroine has written ever since she was a child, meets Shakespeare and even has her second child by him, and gives him inspiration not only for the sonnets but several of his plays.

It's an all female cast, with Emilia played by three different actors representing different stages of her life. (Charity Wakefield, Mary Boleyn in the TV adaptation of Hilary Mantel's Wolf Hall novels, has a nicely comic turn as Shakespeare).

The desire for publication and recognition of her own voice is what drives this version of Emilia. She teaches other women from "south of the river" (which gets a laugh), ordinary washerwomen, who use their literacy to write their own pleas for acceptance and equality. Their work showers down on the audience.

Although Shakespeare and Lord Chamberlain (Shakespeare was a Player in The Chamberlain's Men) appear in the play, there is no mention of the Earl of Southampton, the now generally agreed dedicatee of the main sonnet sequence, who appears also to have had an affair with the Dark Lady.

Clare Perkins, who plays the older Emilia, ends the show with an impressive rallying cry for women to go out and create and demand their place in the world. It's perhaps a pity that the playwright sees equality mainly in terms of women's anger but it is a strong ending and one that audiences relate to.

It certainly works as a piece of theatre.
William Shakespeare, the "Cobbe Portrait

* Full disclosure: my daughter Becky Barber-Sharp is Associate Producer for NB Productions on this show, which runs at the Vaudeville in the Strand till the end of May.





Exploring a beautiful book (part one), by Gillian Polack

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Right now, caught up in the rather interesting Australian elections, I feel as if we’re in the middle of history. Some years are more significant than others for story purposes and for interpreting people over time and this one is a good example. I’m not going to describe it today, however. Being in the middle of big events is not so comfortable. What I want today is safety.

I have a few volumes (not nearly enough volumes) of British Parliamentary Papers about Australia and they are what my history-soul craves. At times like this I find peace in enjoying the beauty of a book and then opening a page at random and reading the documents. I’ll enjoy the external beauty with you today and then do the internal exploration next month.

I only have a few volumes of this exceptionally large series and all the volumes I own are about Australia. The Irish University Press put them out about fifty years ago, and when many of my books were stolen, these beautiful green leatherbound books on archival quality paper were some of the first I looked for. I was so worried they had gone and so relieved when I found them.

The first volume to come to hand is from 1850.



Opening at random, let us explore. Or rather, let me explore and report the exploration as I go. So often readers see what fiction writers have done after the exploration, when we have caged and domesticated and reshaped what we find. It’s fun to see what happens on the job from time to time.

Before I can explore the content, you need to meet the book. Paper books each have their own personality, and volumes as exquisitely made as this are rare these days. It’s solidly and well-bound, with more leather than a good pair of shoes and with tooling to render a plain cover library-worthy.

One of the things I love about books is finding miscellaneous paper tucked away. The paper I found when I opened my 1850 volume is paper I’ve seen before, and each time I find it I stop and remind myself why it has to stay there. It’s not extraordinary, but it illuminates the volume’s reason for existing in an extraordinary way. Ephemera can give us critical historical data.



There are two different documents hiding in the front of the book. One is a reprinted page from The Times Literary Supplement, July 24 1969. It consists of two full newspaper-size pages explaining the Parliamentary Papers. 

It tells me that there are thirty-four volumes just for Australia: I only have six of them. The complete set of volumes for Australia cost $2,110 in 1969, which was enough to buy a small house in suburban Melbourne. This amounts to over 19,000 big pages of dense text. 

The content of the thirty-four volumes walks the reader through the colonisation of Australia and some papers about New Zealand (for New Zealand was governed from Australia back then, but there are another seventeen volumes just for New Zealand, enough to buy, I suspect a 2 bedroom flat). My life feels incomplete and my bookshelves bereft and I need a cup of tea.




The other sets of papers include ninety-four volumes on the Slave Trade (worth a much better house in 1969, which is sad and ironic) and three volumes of collected material from 1834-7 about Australian Aborigines. 

I need to read those fifteen hundred pages of those three volumes one day more than I need to read anything else in this vast series, but I don’t own any of them. Those early days set up a lot of problems for everyone who lived in Australia when colonisation began and I don’t understand them enough to write about them.

I suddenly need another cup of tea, because this is a reminder of how little I know about things I ought to know very well indeed. I encounter this often when I read the fiction of those who don’t quite do their research. We’re all influenced by what we were taught (all kinds of prejudgements flood our writing and the people left out of history seldom enter it) and unless we think ourselves past the problems given to us by our culture and our education, we carry those problems into our fiction. 

There’s a library only fifteen minutes away by bus where I can see those three volumes – it’s now on my ‘must do’ list.



The other two pieces of paper are an inspection slip and its duplicate. They tell me a lot about how much care was spent crafting these books. They’re some of the best quality volumes I’m ever likely to own. This particular volume was inspected by “H.J.W.” and the inspector had their own stamp to announce this on the dotted line. Filling in the form may have been a bit rushed, for in fact, the stamp is on a slope halfway to the next line and right near the wrong edge of the page. The date was 6 January 1970, and below the date is this wonderful announcement. “In the unlikely event of this volume being found faulty in any particular of manufacture, please send full details of the nature of the complaint and this Inspection Slip to THE PUBLISHER AT SHANNON IRELAND.” The duplicate means that no-one ever sent a complaint. I suspect that I’m the only owner, however, since I bought my volumes from a bookseller who’d bought them from someone who found hundreds of them in storage and who wanted to clear the space, so this is not useful knowledge. 

I love the way some tidbits are fascinating but not at all useful. It’s as easy to overinterpret ephemera as it is to underinterpret ephemera.

For me, this inspection slip (number C11203) brings the whole volume to life. The advertorial is informative and very useful, but the small piece of paper with it shows just how much the Irish University Press spent on the volume. The volume itself backs up the claim of perfection in publishing. You can see that from the pictures.




Now that you’ve met this marvellous volume… you have to wait a month to find out what’s in it.

A Fine Song of Love - Katherine Langrish

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The past is a different country which requires a great deal of research and imaginative effort to recreate in its multilayered richness of sights, sounds, smells, textures and tastes. Visiting the  Chiltern Open Air Museum a few years ago I found myself shouting to be heard over the almost unbearable thunder of iron-rimmed cartwheels rolling over cobbles. I’d had no idea carts were so loud – and that was one single, large, four-wheeled wagon pulled by a single horse. Imagine the din around the warehouses of London Docks in the 1880s! 

Music goes beyond natural sound, though. Music is a cultural construct full of meaning; it reflects, interprets, and to a large extent creates the manners and desires of its own time. It's natural to refer to music as we construct history. Swingtime, jazz, rock and roll, punk, reggae, hip-hop – all tell something about the decades in which they flourish. Impossible to imagine the sixties without the Beatles or the Kinks. The same must be true for the deeper past. I once thrilled to a British Museum reconstruction of a Roman trumpet call, and what about the prehistoric bone flutes that were played in caves like Lascaux?



My children’s novel DarkAngels (HarperCollins) is set on the Welsh borders in the 1190s, and features a flawed heroic figure, Hugo of La Motte Rouge, Norman warlord and ex-crusader who believes his dead wife may – just may – not be dead after all, even though seven years have passed since he buried her. She may have been spirited away by the elf-folk and taken into the tunnels under the hill. In which case, there may be a chance he could rescue her.

There are a quite a few 12th century legends on this mysterious subject, the idea of lost lovers re-encountered in some fairy land of the dead. Walter Map, a courtier at the court of Henry II, tells the story of a Breton knight who rescued his dead-and-buried wife when, months later, he saw her whirling in a fairy dance. And the retelling of the Orpheus myth, Sir Orfeo, probably also ultimately dates from this time, from a Breton lai subsequently translated into Middle English.

So there I was with the idea that my knight Lord Hugo would be a sort of Orpheus figure. Therefore he needed to be musical. Now the Breton lais are lengthy stories in verse; they were performed by minstrels who probably chanted them with a musical prelude and interludes. And of course the 12th and 13th centuries were also the time of the troubadours of southern France, whose songs were primarily songs of fin’ amour– of romantic love in high society.

Garden of Pleasure, Harley 4425, 15th C.
It’s been suggested that the notion, even the emotion of romantic love was created by the troubadours, a product of the hot-house needs of often very young noblemen and noblewomen living with nothing much to do in close proximity in small castles, spending time together every day, yet with sex strictly off-limits - marriage being a formal matter of property and alliances arranged by their elders. So this new music arose, a music of youth, full of expressions of forbidden desire: subversive, exciting, dangerous and fashionable.

Many troubadours were high-born men and women, whose songs would usually be performed by a joglar or jongleur, a professional singer. Still, it seemed to me quite possible that my own Lord Hugo might on occasion be prevailed upon to sing his own songs – especially if he thought that doing so might help win back his wife from the dead land.   

So now I needed to listen to troubadour songs. Here's one anonymous 13th century song, performed by Conjunto de Camara de Porto Alegre. They don't sing it all: as you can see, below, it's quite long. I made a free translation to get myself in the mood for writing songs for Lord Hugo.




Volez vous que je vous chante             Would you like me to sing you
Un son d’amours avenant?                 A fine song of love?                          
Vilain nel fist mie,                                By no peasant it was made,               
Ainz le fist un chevalier                       But a gentle knight who lay
Sous l’ombre d’un olivier                    With his sweetheart in his arms
Entre les bras s’amie.                          In an olive tree’s shade.


Chemisete avoit de lin                         She wore a linen chemise,
Et blanc peliçon hermin                      A pelisse of white ermine –
Et bliaut de soie                                   Of silk was her dress,
Chauces ot de jaglolai                         Her stockings were of iris leaves
Et solers de flours de mai                    And slippers of mayflowers
Estroitement chauçade                        Her feet to caress.


Ceinturete avoit de feuille                    Her girdle was of leaves
Que verdist quant li tens meuille,        Which grow green when it rains,
D’or est boutonade                             Her buttons of gold so fine,
L’aumosniere estoit d’amour              Her purse was a gift of love
Li pendant furent de flours                  And it hung from flowery chains
Par amours fu donade.                       As it were a lovers’ shrine.


Et chevauchoit une mule                     And she rode on a mule,
D’argent ert la ferruere                       The saddle was of gold,
La sele ert dorade;                              All silver were its shoes;
Sus la croupe par derriers                   On the crupper behind
Avoit plante trois rosiers                     To provide her with shade
Pour faire li ombrage.                         Three rose-bushes grew.


Si s’en va aval la pree                         As she passed through the fields
Chevaliers l’ont encontree                  She met gentle knights
Beau l’on saluade:                              Who demanded courteously:
“Belle, dont estes vous nee?”             “Fair one, where were you born?”
“De France sui la louee,                     “From France am I come.
De plus haut parage.”                        And of high family.”


“Li rossignol est mon pere                  “The nightingale is my father
Qui chant sor la ramee                       Who sings from the branches
El plus haut boscage.                          Of the forest’s highest tree.
La seraine est mon mere                     The mermaid is my mother
Qui chante en la mer sale                   Who sings her sweet notes
Li plus haut rivage.”                           On the banks of the salt sea.”


“Belle, bon fussiez vous nee!               “Fair one, well were you born!          
Bien estes emparentee                         Well fathered, well mothered
Et de haut parage.                               And of high family.
Pleüst á Dieu nostre pere                    Might God only grant
Que vous ne fussiez donee                   That you should be given
A femme esposade.”                           In marriage to me!”


Could a song be more sensual, the object of desire more dangerous? The lady in this chanson is a headily-erotic blend of wildwood flowers, songs and the fairy world; that purse which hangs from her girdle on flowery chains ‘like a lover’s shrine’ is certainly a metaphor Freud would have recognised. No wonder the young knights acknowledge her ‘high degree’ and long for her hand in marriage. It’s enough to turn their parents’ hair grey.  

Lady out riding, 16th C, by Gerard Horenbout
Troubadour songs often use images such as the coming of the green leaves in spring, and the song of the nightingale, to express the pain and delight and longing of love. Here’s Guillem de Peiteus, Count of Poitiers and Duke of Aquitaine, comparing love to a hawthorn bough:

As for our love, you must know how
Love goes – it’s like the hawthorn bough
That on the living tree stands, shaking
All night beneath the freezing rain
Till next day, when the warm sun, waking,
Spreads through green leaves and boughs again.

(Tr. W. D. Snodgrass.)


In the end I wrote this for Hugo to sing of his love:

When all the spring is bursting and blossoming,
And the hedge is white with blossom like a breaking wave,
That’s when my heart is bursting with love-longing
For the girl who pierced it, for that sweet wound she gave.

And I hear the nightingale singing in the forest –
Singing for love in the forest: “Come to me, I am alone…
Better to suffer love’s pain for a single kiss
Than live for a hundred years with a heart of stone.”

It’s Hugo’s love and pain that drives the plot of Dark Angels and I really needed the plangent, beautiful music of the 13th century to get it right.



Ancient Egyptian Gallery - Joan Lennon

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This month marks the 200th anniversary of the National Museum of Scotland (then the Society of Antiquaries of Scotland*) acquiring its very first ancient Egyptian artefact.**  So it is fitting that they are opening the new Ancient Egyptian Gallery ...

... and it is fabulous!  Every cabinet and display has something riveting.  From Nubian horses -



c1550-1295 BCE



c1390-1186


to a long-kilted wealthy man -



c1855-1650 BCE


to a tiny bewigged woman -




c1550-1295 BCE

But perhaps, as many of us are writers, I should share the headless scribe with the lovely ripply belly, with these words on the information board:

"In an ancient Egyptian poem, a father advises his son to become a scribe to avoid hard physical labour, declaring, 'I will make you love writing more than your mother!'"



c1479-1425 BCE


Says it all.

The next time you are in Edinburgh, give it a visit if you possibly can.  If that isn't likely to be anytime soon, the links below offer a taste of what's on offer, and also some more in-depth information about individual objects.


Joan Lennon's website.
Joan Lennon's blog.
Silver Skin.



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